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R.I.P. Robert Redford

The PolyBlog
September 17 2025

I rarely react when I hear that a celebrity has died. Often, it is authors that affect me more than actors or musicians. But Robert Redford was probably my mother’s favourite actor, partially (hah!) influenced by looks. And so I react a little more knowing that she would have been said to hear of his passing at 89 years. (Although she liked Paul Newman more, I think).

For me, I don’t have strong views about his role as a director… Ordinary People, The Horse Whisperer, and the Legend of Bagger Vance were all enjoyable, but didn’t move me deeply. Equally, I don’t have strong attachments to any of the movies he produced.

But his acting chops? IMDB has 82 entries as an actor for Redford, and I’ve likely seen about a quarter to a third. More in the middle than the beginning or end of his career.

Like most viewers, I probably noticed him for the first time not in his TV episodes but in the movie Butch Cassidy and the Sundance Kid. Obviously not in 1969 at its first release, since I was only 1yo at the time, but in subsequent reruns on TV. I’ve never seen The Candidate (1972) from start to finish, only bits and pieces. My mom loved The Way We Were (1973).

But The Sting (1973) is one that I think I actually saw at the drive-in with my siblings when I was only five. I’m not kidding. I remember the bicycle scene and the song (Raindrops keep falling on my head…). I’ve probably seen it front to back about three times, and another ten times in bits and pieces on TV runs.

I found Three Days of the Condor (1975) too confused, even after seeing it when I was in my teens. And I have to confess, I found All the President’s Men (1976) way too slow. I’ve survived it once, and perhaps watched bits and pieces here and there another two-three times. Great story, way too slow of a movie.

I enjoyed The Electric Horseman (1979), although it was a bit campy. I remember finding Brubaker (1980) quite dark, although outside of the basic plot of a prison warden cleaning up a prison, I remember almost none of the movie.

But 1984 brought out The Natural, the best that ever was. That’s a direct quote from the movie about baseball player Roy Hobbs, where all he wants is to walk down a street someday and have someone say, “There goes Roy Hobbs. The best that ever was”. It may not be the best movie of all time, but I think it may arguably be the best role that Redford ever played. So subtle in places it’s staggering.

I know that many people consider Out of Africa (1985) as the best movie of his career, but I found it soporific. I have never made it through from start to finish without falling asleep.

Yet I have no credibility at all. Legal Eagles (1986) was a light version of a courtroom drama, with near RomComAction on high alert. Darryl Hannah was relatively fresh off Splash and Clan of the Cave Bear, and despite playing a kook, she just came off as a kook. Spaced out and hardly present. By contrast, Debra Winger was just coming off An Officer and a Gentleman and Terms of Endearment, and I thought she was awesome. The movie is not great, I won’t lie, but I really enjoyed the three of them together. I wanted a better editor, but well, I enjoyed it anyway.

Sneakers (1992) is really quite popular with certain age groups, and while I enjoyed it, the plot was weak with quite a few scenes straining the suspension of disbelief.

He lent his voice to narrating A River Runs Through It (1992), but it was Indecent Proposal (1993) that really caught people’s attention. If you don’t remember the premise, he played an eccentric billionaire who sees a young married couple being affectionate and it prompts him to enter their lives with an indecent proposal — if they agree to let him sleep with the wife for one night, he’ll give them $1,000,000. He’s a bit sleazy with his offer, which is not his normal pure, ethical character choice. And a large number of late night comedians made the same joke — most wives would waive the money for a chance to sleep with Redford. Yet there was a deeper storyline about the couple considering it and what even the proposal itself does to their love and marriage, regardless of their choice. I liked it, but I had three regrets … first and foremost, that they had spent too little time on Redford’s character, maybe other indecent proposals he might have made. Secondly, the pacing in the movie is off, with much need for a better editor. But lastly, I hate to say it, but Demi Moore and Woody Harrelson as the couple don’t really work for me. They don’t seem to have the right chemistry, and while Woody comes off as a relatively dumb schmuck, Demi doesn’t rise to the level of even Striptease.

When it comes to Up Close and Personal (1996), I really want to love the movie. Michelle Pfeiffer from my teenage crush days and Robert Redford in a love story, complete with a journalism / reporting storyline? What’s not to love? The plot, the dialogue, the lack of chemistry between the two of them, the camera work, the pacing. I come close to hating it, just because I had high hopes for it.

I don’t have strong views on The Horse Whisperer (1998), the Last Castle (2001), or really any of the next 13 years until he shows up in the Marvel Avengers movies. Where he has virtually nothing to do. He has gravitas enough to hold a senior position in the Marvel Universe, but it doesn’t do much more than a cameo would have done. Nor any of the acting roles until 2020.

As I said, I liked him best in the middle of his career, not the TV stuff at the start or the movies in the last 20 years.

My final rankings

If I reduce all of it to my five favourite Redford movies, I would choose:

  • Butch Cassidy and the Sundance Kid (1969)
  • The Sting (1973)
  • The Natural (1984)
  • Legal Eagles (1986)
  • Sneakers (1992)

And if I was to only watch one? That would be really tough. He has some really great scenes as Sundance including “I can’t swim”; The Sting is one of the best ensemble casts; and The Natural is sublime for understated acting.

I’m going to have to go with The Natural and Roy Hobbs. I don’t know that I would say Robert Redford is the best that ever was, but he’s in the running. If they are looking to bury a souvenir with him, I hope it’s a bat with a lightning bolt.

Thanks for entertaining us.

Posted in Movie Reviews | Leave a reply

Streaming Oscar nominations for 2023

The PolyBlog
January 28 2024

Back in the day, I used to watch almost every big movie that came out. Life has changed since then, and I was looking at the list of 120 nominations that were just released that make up the main telecast. Of the 120 nominations across the 23 categories, even if I was in the industry and got a ballot card, I couldn’t have voted — I actually haven’t seen ANY of them. Yet. And every year, someone complains that the voting process is obviously flawed as many voters in the industry have not, in fact, seen all of the movies. There’s just too many, of course. Seems obvious at first blush.

But I was wondering today how many are available for streaming already and if I could watch SOME of them at least before the telecast. As I was searching through the list, I didn’t want to check availability of a movie more than once, so I did a quick spreadsheet and coloured coded movies that showed up more than once. I noticed some interesting things that I might not have noticed without the aid of a spreadsheet.

Of the long list of best picture nominees (10 instead of the long ago list of only 5), the not-surprising carry-over is that they also qualify for multiple other awards. No surprise, as I said, because, of course, if it had a good director, actor, actress, screenplay, score, or any of the other 22 categories, it had a better-than-average chance to rise up to the level of being a best picture nominee. Makes sense, right? And every year, the release of nominees includes “counts” as to how many categories the top nominee covers. 14 for this movie, only 7 for that one. So you know there is SOME repetition, of course.

But what DID surprise me is that even for just the 10 best picture nominees, they account for 71 nominations out of the 120 nominees in total. 10 pictures cover 60% of the night. And when you eliminate the ones they weren’t even eligible for (animated, documentary, shorts), that rises to 75% of the nominations. So with just watching 10 movies, a lot for some people, you could cover a huge swath of the ballot.

In fact, you would cover:

  • Best picture — all of them
  • Best director — all of them
  • Best actor — all but one (Colman Domingo for Rustin)
  • Best actress — all but one (Annette Bening for Nyad)
  • Best supporting actor — all of them
  • Best supporting actress — all but two (Danielle Brooks for The Color Purple and Jodie Foster for Nyad)
  • Best original screenplay — all but one (May December)
  • Best adapted screenplay — all of them
  • Best cinematography — all but one (El Conde)
  • Best costume design — all but one (Napoleon)
  • Best makeup and hairstyling — all but two (Golda and Society of the Snow)
  • Best original song — all but two (from Flamin’ Hot and American Symphony)
  • Best original score — all but one (Indiana Jones and the Dial of Destiny)
  • Best production design — all but one (Napoleon)
  • Best film editing — all of them
  • Best sound — all but two (The Creator and Mission: Impossible Dead Reckoning Part I
  • Best visual effects — none of the five but only two aren’t covered already by the previous additions

What does that mean? It means if you take the 10 best picture nominees, add in Rustin, Nyad, The Color Purple, May December, El Conde, Napoleon, Golda, Society of the Snow, Flamin’ Hot and American Symphony, plus the other four that are visual effects (Napoleon plus Creator, Godzilla, Mission: Impossible, Guardians of the Galaxy), you get all 95 of the main nominees in just 10 + 10 + 4 = 24 movies. Sure, the animated and docs and shorts don’t have a lot of overlaps, almost 25 there too but it wouldn’t really be fair to suggest it’s covering 50 movies. Not really.

I find it particularly telling that if you JUST use the top four categories, you’d get to 12 movies; add in supporting, it jumps to 13 movies; and 14 would cover everything down to cinematography plus film editing. That’s almost doable in a month if you were hardcore.

Hence my curiosity as to what is available in streaming format at the moment. I looked them up on JustWatch.com to see what was available and what wasn’t…If they were available with a subscription, I said “Apple”, “Netflix”, “Prime”, “Disney”, “Crave”, “Paramount”. If they were available only to buy or rent, I added a $ after each one. Here is the full list, if interested.

AwardMovieAppleNetflixPrimeDisneyOtherNominee
Best PictureAmerican Fiction—————American Fiction (Ben LeClair, Nikos Karamigios, Cord Jefferson and Jermaine Johnson, Producers)
Best PictureAnatomy of a Fall Apple $—Amazon $——Anatomy of a Fall (Marie-Ange Luciani and David Thion, Producers)
Best PictureBarbieApple $ Amazon $ CraveBarbie (David Heyman, Margot Robbie, Tom Ackerley and Robbie Brenner, Producers)
Best PictureThe Holdovers Apple $—Amazon $——The Holdovers (Mark Johnson, Producer)
Best PictureKillers of the Flower MoonApple—Amazon $——Killers of the Flower Moon (Dan Friedkin, Bradley Thomas, Martin Scorsese and Daniel Lupi, Producers)
Best PictureMaestro —Netflix———Maestro (Bradley Cooper, Steven Spielberg, Fred Berner, Amy Durning and Kristie Macosko Krieger, Producers)
Best PictureOppenheimer Apple $—Amazon $——Oppenheimer (Emma Thomas, Charles Roven and Christopher Nolan, Producers)
Best PicturePast Lives Apple $ Amazon $  Past Lives (David Hinojosa, Christine Vachon and Pamela Koffler, Producers)
Best PicturePoor Things —————Poor Things (Ed Guiney, Andrew Lowe, Yorgos Lanthimos and Emma Stone, Producers)
Best PictureThe Zone of Interest —————The Zone of Interest (James Wilson, Producer)
Best DirectingAnatomy of a Fall Apple $—Amazon $——Justine Triet (Anatomy of a Fall)
Best DirectingKillers of the Flower MoonApple—Amazon $——Martin Scorsese (Killers of the Flower Moon)
Best DirectingOppenheimer Apple $—Amazon $——Christopher Nolan (Oppenheimer)
Best DirectingPoor Things —————Yorgos Lanthimos (Poor Things)
Best DirectingThe Zone of Interest —————Jonathan Glazer (The Zone of Interest)
Best Actor in a Leading RoleMaestro —Netflix———Bradley Cooper (Maestro)
Best Actor in a Leading RoleRustin Netflix   Colman Domingo (Rustin)
Best Actor in a Leading RoleThe Holdovers Apple $—Amazon $——Paul Giamatti (The Holdovers)
Best Actor in a Leading RoleOppenheimer Apple $—Amazon $——Cillian Murphy (Oppenheimer)
Best Actor in a Leading RoleAmerican Fiction—————Jeffrey Wright (American Fiction)
Best Actress in a Leading RoleNyad—Netflix———Annette Bening (Nyad)
Best Actress in a Leading RoleKillers of the Flower MoonApple—Amazon $——Lily Gladstone (Killers of the Flower Moon)
Best Actress in a Leading RoleAnatomy of a Fall Apple $—Amazon $——Sandra Hüller (Anatomy of a Fall)
Best Actress in a Leading RoleMaestro —Netflix———Carey Mulligan (Maestro)
Best Actress in a Leading RolePoor Things —————Emma Stone (Poor Things)
Best Actor in a Supporting RoleAmerican Fiction—————Sterling K. Brown (American Fiction)
Best Actor in a Supporting RoleKillers of the Flower MoonApple—Amazon $——Robert De Niro (Killers of the Flower Moon)
Best Actor in a Supporting RoleOppenheimer Apple $—Amazon $——Robert Downey Jr. (Oppenheimer)
Best Actor in a Supporting RoleBarbieApple $ Amazon $ CraveRyan Gosling (Barbie)
Best Actor in a Supporting RolePoor Things —————Mark Ruffalo (Poor Things)
Best Actress in a Supporting RoleOppenheimer Apple $—Amazon $——Emily Blunt (Oppenheimer)
Best Actress in a Supporting RoleThe Color PurpleApple $—Amazon $——Danielle Brooks (The Color Purple)
Best Actress in a Supporting RoleBarbieApple $ Amazon $ CraveAmerica Ferrera (Barbie)
Best Actress in a Supporting RoleNyad—Netflix———Jodie Foster (Nyad)
Best Actress in a Supporting RoleThe Holdovers Apple $—Amazon $——Da’Vine Joy Randolph (The Holdovers)
Best Writing (Adapted Screenplay)American Fiction—————American Fiction (Written for the screen by Cord Jefferson)
Best Writing (Adapted Screenplay)BarbieApple $ Amazon $ CraveBarbie (Written by Greta Gerwig & Noah Baumbach)
Best Writing (Adapted Screenplay)Oppenheimer Apple $—Amazon $——Oppenheimer (Written for the screen by Christopher Nolan)
Best Writing (Adapted Screenplay)Poor Things —————Poor Things (Screenplay by Tony McNamara)
Best Writing (Adapted Screenplay)The Zone of Interest —————The Zone of Interest (Written by Jonathan Glazer)
Best Writing (Original Screenplay)Anatomy of a Fall Apple $—Amazon $——Anatomy of a Fall (Screenplay by Justine Triet and Arthur Harari)
Best Writing (Original Screenplay)The Holdovers Apple $—Amazon $——The Holdovers (Written by David Hemingson)
Best Writing (Original Screenplay)Maestro —Netflix———Maestro (Written by Bradley Cooper & Josh Singer)
Best Writing (Original Screenplay)May December—Netflix———May December (Screenplay by Samy Burch; Story by Samy Burch & Alex Mechanik)
Best Writing (Original Screenplay)Past Lives Apple $ Amazon $  Past Lives (Written by Celine Song)
Best Animated FeatureThe Boy and the Heron—————The Boy and the Heron (Hayao Miyazaki and Toshio Suzuki)
Best Animated FeatureElementalApple $—Amazon $Disney—Elemental (Peter Sohn and Denise Ream)
Best Animated FeatureNimona—Netflix———Nimona (Nick Bruno, Troy Quane, Karen Ryan and Julie Zackary)
Best Animated FeatureRobot Dreams—————Robot Dreams (Pablo Berger, Ibon Cormenzana, Ignasi Estapé and Sandra Tapia Díaz)
Best Animated FeatureSpider-ManApple $ Amazon $  Spider-Man: Across the Spider-Verse (Kemp Powers, Justin K. Thompson, Phil Lord, Christopher Miller and Amy Pascal)
Best Documentary Feature FilmBobi Wine———Disney—Bobi Wine: The People’s President (Moses Bwayo, Christopher Sharp and John Battsek)
Best Documentary Feature FilmEternal Memory—————The Eternal Memory (Nominees to be determined)
Best Documentary Feature FilmFour Daughters—————Four Daughters (Kaouther Ben Hania and Nadim Cheikhrouha)
Best Documentary Feature FilmTo Kill A Tiger————NFBTo Kill a Tiger (Nisha Pahuja, Cornelia Principe and David Oppenheim)
Best Documentary Feature Film20 Days in Mariupol————Google $20 Days in Mariupol (Mstyslav Chernov, Michelle Mizner and Raney Aronson-Rath)
Best International Feature FilmIo Capitano—————Io Capitano (Italy)
Best International Feature FilmPerfect Days—————Perfect Days (Japan)
Best International Feature FilmSociety of the Snow—Netflix———Society of the Snow (Spain)
Best International Feature FilmThe Teacher’s Lounge—————The Teacher’s Lounge (Germany)
Best International Feature FilmThe Zone of Interest —————The Zone of Interest (United Kingdom)
Best Animated Short FilmLetter to a Pig—————Letter to a Pig (Tal Kantor and Amit R. Gicelter)
Best Animated Short FilmNinety-Five Senses—————Ninety-Five Senses (Jerusha Hess and Jared Hess)
Best Animated Short FilmOur Uniform—————Our Uniform (Yegane Moghaddam)
Best Animated Short FilmPachyderme—————Pachyderme (Stéphanie Clément and Marc Rius)
Best Animated Short FilmWar is Over!—————War Is Over! Inspired by the Music of John & Yoko (Dave Mullins and Brad Booker)
Best Live-Action Short FilmThe After—Netflix———The After (Misan Harriman and Nicky Bentham)
Best Live-Action Short FilmInvincible—————Invincible (Vincent René-Lortie and Samuel Caron)
Best Live-Action Short FilmNight of Fortune—————Knight of Fortune (Lasse Lyskjaer Noer and Christian Norlyk)
Best Live-Action Short FilmRed, White and Blue—————Red, White and Blue (Nazrin Choudhury and Sara McFarlane)
Best Live-Action Short FilmThe Wonderful Story of Henry Sugar—Netflix———The Wonderful Story of Henry Sugar (Wes Anderson and Steven Rales)
Best Documentary Short FilmThe ABCs of Book Banning————ParamountThe ABCs of Book Banning (Sheila Nevins and Trish Adlesic)
Best Documentary Short FilmThe Barber of Little Rock—————The Barber of Little Rock (John Hoffman and Christine Turner)
Best Documentary Short FilmIsland In Between—————Island in Between (S. Leo Chiang and Jean Tsien)
Best Documentary Short FilmThe Last Repair Shop———Disney—The Last Repair Shop (Ben Proudfoot and Kris Bowers)
Best Documentary Short FilmNai Nai & Wai Po—————Nǎi Nai & Wài Pó (Sean Wang and Sam Davis)
Best CinematographyEl Conde—Netflix———El Conde (Edward Lachman)
Best CinematographyKillers of the Flower MoonApple—Amazon $——Killers of the Flower Moon (Rodrigo Prieto)
Best CinematographyMaestro —Netflix———Maestro (Matthew Libatique)
Best CinematographyOppenheimer Apple $—Amazon $——Oppenheimer (Hoyte van Hoytema)
Best CinematographyPoor Things —————Poor Things (Robbie Ryan)
Best Costume DesignBarbieApple $ Amazon $ CraveBarbie (Jacqueline Durran)
Best Costume DesignKillers of the Flower MoonApple—Amazon $——Killers of the Flower Moon (Jacqueline West)
Best Costume DesignNapoleon——Amazon $——Napoleon (Janty Yates and Dave Crossman)
Best Costume DesignOppenheimer Apple $—Amazon $——Oppenheimer (Ellen Mirojnick)
Best Costume DesignPoor Things —————Poor Things (Holly Waddington)
Best Makeup and HairstylingGoldaApple $—Amazon——Golda (Karen Hartley Thomas, Suzi Battersby and Ashra Kelly-Blue)
Best Makeup and HairstylingMaestro —Netflix———Maestro (Kazu Hiro, Kay Georgiou and Lori McCoy-Bell)
Best Makeup and HairstylingOppenheimer Apple $—Amazon $——Oppenheimer (Luisa Abel)
Best Makeup and HairstylingPoor Things —————Poor Things (Nadia Stacey, Mark Coulier and Josh Weston)
Best Makeup and HairstylingSociety of the Snow—Netflix———Society of the Snow (Ana López-Puigcerver, David Martí and Montse Ribé)
Best Original SongFlamin’ Hot———Disney—“The Fire Inside” from Flamin’ Hot (Music and Lyric by Diane Warren)
Best Original SongBarbieApple $ Amazon $ Crave“I’m Just Ken” from Barbie (Music and Lyric by Mark Ronson and Andrew Wyatt)
Best Original SongAmerican Symphony—Netflix———“It Never Went Away” from American Symphony (Music and Lyric by Jon Batiste and Dan Wilson)
Best Original SongKillers of the Flower MoonApple—Amazon $——“Wahzhazhe (A Song for My People)” from Killers of the Flower Moon (Music and Lyric by Scott George)
Best Original SongBarbieApple $ Amazon $ Crave“What Was I Made For?” from Barbie (Music and Lyric by Billie Eilish and Finneas O’Connell)
Best Original ScoreAmerican Fiction—————American Fiction (Laura Karpman)
Best Original ScoreIndiana Jones and the Dial of DestinyApple $—Amazon $Disney—Indiana Jones and the Dial of Destiny (John Williams)
Best Original ScoreKillers of the Flower MoonApple—Amazon $——Killers of the Flower Moon (Robbie Robertson)
Best Original ScoreOppenheimer Apple $—Amazon $——Oppenheimer (Ludwig Göransson)
Best Original ScorePoor Things —————Poor Things (Jerskin Fendrix)
Best Production DesignBarbieApple $ Amazon $ CraveBarbie (Production Design: Sarah Greenwood; Set Decoration: Katie Spencer)
Best Production DesignKillers of the Flower MoonApple—Amazon $——Killers of the Flower Moon (Production Design: Jack Fisk; Set Decoration: Adam Willis)
Best Production DesignNapoleon——Amazon $——Napoleon (Production Design: Arthur Max; Set Decoration: Elli Griff)
Best Production DesignOppenheimer Apple $—Amazon $——Oppenheimer (Production Design: Ruth De Jong; Set Decoration: Claire Kaufman)
Best Production DesignPoor Things —————Poor Things (Production Design: James Price and Shona Heath; Set Decoration: Zsuzsa Mihalek)
Best Film EditingAnatomy of a Fall Apple $—Amazon $——Anatomy of a Fall (Laurent Sénéchal)
Best Film EditingThe Holdovers Apple $—Amazon $——The Holdovers (Kevin Tent)
Best Film EditingKillers of the Flower MoonApple—Amazon $——Killers of the Flower Moon (Thelma Schoonmaker)
Best Film EditingOppenheimer Apple $—Amazon $——Oppenheimer (Jennifer Lame)
Best Film EditingPoor Things —————Poor Things (Yorgos Mavropsaridis)
Best SoundThe CreatorApple $—Amazon $Disney—The Creator (Ian Voigt, Erik Aadahl, Ethan Van der Ryn, Tom Ozanich and Dean Zupancic)
Best SoundMaestro —Netflix———Maestro (Steven A. Morrow, Richard King, Jason Ruder, Tom Ozanich and Dean Zupancic)
Best SoundMission: Impossible Dead ReckoningApple $—Amazon $—ParamountMission: Impossible — Dead Reckoning Part One (Chris Munro, James H. Mather, Chris Burdon and Mark Taylor)
Best SoundOppenheimer Apple $—Amazon $——Oppenheimer (Willie Burton, Richard King, Gary A. Rizzo and Kevin O’Connell)
Best SoundThe Zone of Interest —————The Zone of Interest (Tarn Willers and Johnnie Burn)
Best Visual EffectsThe CreatorApple $—Amazon $Disney—The Creator (Jay Cooper, Ian Comley, Andrew Roberts and Neil Corbould)
Best Visual EffectsGodzilla: Minus One—————Godzilla: Minus One (Takashi Yamazaki, Kiyoko Shibuya, Masaki Takahashi and Tatsuji Nojima)
Best Visual EffectsThe Guardians of the Galaxy Vol 3Apple $——Disney—Guardians of the Galaxy Vol. 3 (Stephane Ceretti, Alexis Wajsbrot, Guy Williams and Theo Bialek)
Best Visual EffectsMission: Impossible Dead ReckoningApple $—Amazon $—ParamountMission: Impossible — Dead Reckoning, Part One (Alex Wuttke, Simone Coco, Jeff Sutherland and Neil Corbould)
Best Visual EffectsNapoleon——Amazon $——Napoleon (Charley Henley, Luc-Ewen Martin-Fenouillet, Simone Coco and Neil Corbould)

So, where does that leave me? Of the 53 overall titles in the long list…

Available to watch with a subscription to a specific streaming service (23)

  • The ABCs of Book Banning
  • The After
  • American Symphony
  • Barbie
  • Bobi Wine
  • El Conde
  • The Creator
  • Elemental
  • Flamin’ Hot
  • Golda
  • The Guardians of the Galaxy Vol 3
  • Indiana Jones and the Dial of Destiny
  • Killers of the Flower Moon
  • The Last Repair Shop
  • Maestro 
  • May December
  • Mission: Impossible Dead Reckoning
  • Nimona
  • Nyad
  • Rustin
  • Society of the Snow
  • To Kill A Tiger
  • The Wonderful Story of Henry Sugar

Available to buy or rent online (8)

  • 20 Days in Mariupol
  • Anatomy of a Fall 
  • The Color Purple
  • The Holdovers 
  • Napoleon
  • Oppenheimer 
  • Past Lives 
  • Spider-Man

Not available to stream (22)

  • American Fiction
  • The Barber of Little Rock
  • The Boy and the Heron
  • Eternal Memory
  • Four Daughters
  • Godzilla: Minus One
  • Invincible
  • Io Capitano
  • Island In Between
  • Letter to a Pig
  • Nai Nai & Wai Po
  • Night of Fortune
  • Ninety-Five Senses
  • Our Uniform
  • Pachyderme
  • Perfect Days
  • Poor Things 
  • Red, White and Blue
  • Robot Dreams
  • The Teacher’s Lounge
  • War is Over!
  • The Zone of Interest 

I found it interesting making the spreadsheet. My impression was that there were WAY more that were available to rent or buy online than already free through a subscription service. Except that certain movies over-represented early because almost ALL of the ones available ANYWHERE are ALSO available on Apple or Amazon for rent or buy…they just happen to ALSO be available if you already have a subscription.

For the ones that are not available ANYWHERE, a large number of them are short or animated or documentaries, or some combination therein. I thought they might be available on YouTube, but not yet. I set up some alerts to let me know if/when they show up on a streaming service.

Okay then, my list is set.

Posted in Movie Reviews | Tagged movies, oscars | Leave a reply

The Kid Detective (2020) – MR00009 (2021) – 🐸🐸🐸⚪⚪

The PolyBlog
May 19 2021

Plot

A guy solved a bunch of cases as a kid, received lots of accolades, and then burned out as he got older because he couldn’t solve a case of a missing girl.

What I Liked

So I have to start with the recognition that I have no memory of how this movie ended up on my “to be watched” list. I assume I saw a reference to it in some “”upcoming”” release article, and was attracted to the idea that a kid detective became an adult detective. I’ve enjoyed the premise in other shows like Psych and Carter. There’s even an element of it in the Nancy Drew series, albeit with more of a supernatural bent now that she’s older. So I wanted to give it a go.

The odd part is that the movie is relatively flat for the first hour. Dark, somewhat bleak, even though the main elements are there. Lots of cases, barely getting by, doing whatever he can to survive but being very cynical about the world. It is the ending after the reveal that makes it almost watchable…after effects, the callbacks, the tying together of early clues, etc. Based on the first 80% of the movie, there’s no expectation the last 20% will give you anything, and yet the plotting is decent.

What I Didn’t Like

As noted, the first hour is really flat as well as dark and bleak. The narrator/lead notes that after it is all over, it’s like the city is in colour again, for the first time in years, and you see it in the cinematography. More lively, brighter. There is no amazing acting anywhere, although the lead is okay; the rest of the cast is relatively terrible. TV-movie-of-the-week-quality overall, but for some reason, I enjoyed watching everything except some questionable camerawork in the first 5 minutes that sets a tone that I felt was off (blaming a victim).

The Bottom Line

A surprisingly decent ending for a lacklustre start.

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Wings (1927) – MR00008 (2019) – 🐸🐸🐸🐸🐸

The PolyBlog
December 5 2019

Plot

Two men from the same hometown and in love with the same girl go off to war and become fighter pilots.

What I Liked

This movie was the first movie to win an Oscar for Best Picture — in 1929! — and so I wanted to see how it held up. Surprisingly well for a silent picture. I was totally blown away by how good the aerial combat shots were. I was expecting some hokey special effects, but for filming in the 1920s, they did a great job. The two men are Buddy Rogers and Richard Arlen, and while they are okay, it is a secondary girl from back home (not a Juliet to two Romeos but a second Juliet in love with the main hero who doesn’t really notice her) who steals the picture. Clara Bow plays the rough-and-tumble second Juliet who goes to France, drives for the motor pool, and does a lot of support work. She’s brash, happy go lucky most of the time, and great at mooning towards the unsuspecting lovestruck hero.

What I Didn’t Like

There’s a twist in the tale that is a bit hard to believe that pits the two fighters against each other, and some of the ending is a bit sentimental, but for a first Oscar winner, it holds up.

The Bottom Line

Still holds up after all these years.

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Batman v Superman: Dawn of Justice (2016) – MR00005 (2019) – 🐸🐸🐸🐸⚪

The PolyBlog
December 4 2019

Plot

Eighteen months after Superman battled Zod, Batman is convinced that Superman himself is a potential threat and needs to be stopped. Meanwhile, Clark Kent wants to unmask Batman the Vigilante.

What I Liked

The original premise seemed silly, until you see both Batman and Superman fearing what the other might do, and seeing themselves as the saviour. Diana Prince does a great job managing the two testosterone-filled superheroes. And it is great to finally see a real villain that poses an actual threat — Doomsday is so powerful, he can even kill Superman, and it takes all three of the heroes together to stop him and Lex Luthor.

What I Didn’t Like

Lex seems more like a cliché, and using adoptive mothers as extortionary bait seems contrived.

The Bottom Line

More enjoyable than I was expecting.

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