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Category Archives: Computers

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Super frustrated with Anthropic’s Claude AI

The PolyBlog
September 18 2026

Part of my life revolves around work, hobbies, my home life, and family. And, of course, writing. And as you’ll soon see, reading.

How I got here

I’ve been experimenting with Claude AI on and off for about six months now, after trying Gemini and ChatGPT for some stuff. For the first few months, it was all “chat”. Prompts, responses, prompts, responses. I don’t use it to “write” anything for me, but I tend to think in frameworks, so I like designing a framework to feed to Claude and then give it a dozen ways to try and break it. Stress tests, if you will. Internal logic, external research, vocabulary…whatever it can use to attack the model. Then I refresh the model in response to the attacks and try it again. Use different attack vectors to try and break it again. After three or four aggressive rounds, I am usually reasonably happy with my tweaks and changes. It’s like having my own little focus group that I can program to have different backgrounds and attack PoVs, etc.

Then, back in June, I was working on a small project when Anthropic changed its CoWork model. It used to be that it couldn’t run on Windows unless it had Windows 11; then someone internal realized that wasn’t entirely accurate—Windows 10 with the virtual platform option would work just fine. A new toy to play with, I thought.

I started with having it design an Excel-based planner, with built-in Gantt charts, just fiddling around. Then I started a project where I had a ton of old emails and had Claude Code design a bunch of little bot apps to rip them apart, strip the text, code it and put it in a more usable format for analysis, then kick it back to me in a format that Claude could analyze (more or less a really large Excel worksheet).

Some decent success. I’ve also been using the prompt side to help me design some of my website, new branding options, etc.

But then I got an idea at the start of July. Could I use AI to upgrade my Calibre ebook library?

Calibre is not entirely AI-friendly

Way back when Kindle first started, Amazon had promotions where people would have giveaways every day for free Kindle ebooks. I gobbled them up like Pac-Man pellets. I also have lots of academic stuff. Astronomy manuals. All sitting in a very large Calibre library…it’s like iTunes for ebooks except there’s no store, it’s just a file manager with tons of data fields.

Calibre has good plugins, but the data for each file is not very standardized. Different websites use different terms and identifiers, etc. I think I’ll eventually write a series of posts about the entire project. I’ve been planning to, but at the moment, I want to burn it all to the ground.

The main reason for taking on the project was that it would give me three things:

  1. Sure, I would have a great database when I was done with bells and whistles;
  2. Plus, I would learn a lot about AI and what AI could do with data for cleaning and manipulating it, plus what it could do “semi-unattended”; and,
  3. Most importantly, I would learn a lot about the different data sources for each field and the types of issues that librarians regularly deal with when processing books in their systems (an old wannabe-librarian itch with a data-itch and a future writer-itch).

It was not a smooth ride. False starts, lots of learning, and about 7 weeks’ worth of work to get it near functional in July and the start of August, before my holidays. Calibre is not entirely super AI-friendly, so it is more like it sits there, and I use AI to play with its data mostly externally rather than internally. But it’ll create Python scripts I can run in batch files to edit the database without having to do it manually.

What was the “tool”?

I run a monthly intake/review of book clubs, up to 40+ sources, and I automated it with Claude so that Claude would pull most of the 40 sources in by itself, triage them, put them in a short list, check against an Excel spreadsheet for duplication, and then fan out to multiple webpages to build metadata repositories for each of the books. Then it shows me the book’s details and asks me to say Yes, No, or Maybe, records it, and when it’s done, it generates the tables and stats that I put in my monthly email. It doesn’t write anything for me, still my voice always, but it does the technical formatting for me. It was working well in June, July and August. I used Claude to move the files to a different drive, and it completely broke. A week of work to rebuild it to the same level again. Frustrating as hell. And no obvious reason why it broke. All the files went with it, nothing missing.

Stream B was a different beast — I buy ebooks, download them and pop them into Calibre. Many of them have really bad metadata after you load them — titles that aren’t quite right, missing subtitles, missing authors, sometimes no ISBN in the fields, just in the file, etc. And some have metadata but not in a readable spot, so you have to “pull” the extra metadata through a focused read. Since much of the “intake” comes from books identified in my book club tool, I set it up to match the titles against the Excel spreadsheet, copy the data over, improve the “chrome” of the file, and set it up to write to Calibre. Then I run a download of data from mostly GoodReads (Calibre plugin), but external sources are only as good as the data that went in, and some of the sites are flaky on different fields. Or they don’t match at all. Or they try to match, don’t have anything, and decide that your book about Nurses in the Bahamas matches a book about Nurse Sharks in the Caribbean, and gives you a bunch of crud that has nothing to do with your book. So I built a tool that cleans that data, gives me a solid clean result, and then I write it back to the database.

Finally, Stream C is helping pull info for my review. I have it pull the publisher “bumpf” from various sources, pop it into my fields so I can see it on screen, re-show me a bunch of fields already filled in, including series or genre, and also calculate the reading levels, number of pages, etc. Nothing for the review itself, just building the background before I start writing. All good. It’s a relatively easy stream to do, mostly pulling data out of the database and showing it to me in a different grouping so I can write more easily directly in the review fields.

It was great. Until it wasn’t.

Claude is not okay

Back in April, Claude started acting up. They made some tweaks. News articles started to show up. Then Anthropic acknowledged the problem, minimized it, fixed it, and it seemed to reset. Then in late June, it started again. July was intermittent. It was generally fine for me. Even in early August, I had no issues.

When I came back from vacation, I didn’t know it, but LOTS of people were having problems. I started having problems immediately too. It was forgetting something it had known three turns before. It was getting confused, skipping things. Not running things it was supposed to run. Sometimes saying “I’m doing X” but sitting there clearly not doing anything until nudged, to which it would say, “My bad, sorry about that. I’ll do it now.” And it would. It would generally not fail twice. And it was highly inconsistent. Not a specific failure, just a lot of really silly errors. It was like the AI tool had suddenly regressed by 2 years, and you now had an old, early draft version of Claude.

It was really bad for about five days, and then resolved. Except, it really didn’t. The problems persist. Anthropic denies there’s a widespread issue, but more and more techies are finding ways to document how bad the problem is. Anthropic has been accused of nerfing Claude, which they deny, but it’s hard to argue with the same errors being replicable by multiple people.

There’s a really good set of examples on GitHub in the trackers. One user described it as Claude suddenly losing 100 IQ points in a single turn; within my use, we now have a term across MULTIPLE sessions that both Claude and I called SS — sulking stupidity. It’s where I get pissed at the errors it’s making, bypassing fences and gates I made so it wouldn’t make that error, and reining it in so much that it starts acting like a sulking employee. Yes, no. Waiting for instructions. Which is better perhaps than running amok. Working against a list on GitHub, here’s what I have seen:

  • Ignoring sets of instructions — I give it a “programmed” set of steps to follow, it does the first one, and then it may do the second one, it may not. It may follow my WAY of doing step 2, or create its own, even when I say “use the very specific tool we built so it does it this way to make sure the data is formatted properly”.
  • Frequently asserts false facts that it hasn’t checked — it assumes something is true, and therefore tells me it is, without actually checking if it is in fact accurate. Despite having three built-in fences to ensure it doesn’t hallucinate. It hasn’t hallucinated for me in MONTHs, and now does it every session at least once.
  • Refuses to do specific work — It looks like a lazy employee who doesn’t like certain tasks. I have it tied to my Gmail and built into the morning run so that it is supposed to file my old emails into specific subfolders. It has a tool to do that. Four times in the last few weeks it has said: “Oh, I didn’t do that today; it might not have worked.” It has protocols in place if something fails; we built them together, but this refuses to TRY to see if it works; it just bails.
  • Extremely slow — a simple task that should take less than a minute is generating a minute of “composing complex response” and then spiralling off 10 minutes of extra work that had NOTHING to do with the simple task I asked. Sometimes I have to physically hit stop and ask, “WTF?”. I find myself swearing at the AI way too often.
  • Continually reports “Done” or “Clean finish” — and yet when I look at the work, it is very clear that several steps weren’t done. And when you ask, it says, “Oh, I didn’t think it was important, so I skipped those.”

Does that sound vague? How about this scenario…

I ask Claude to do the intake for the 40+ book sites in the pre-set list of sites using the pre-set tools. It goes off, finishes, comes back. And one of the sites isn’t there. I know because I have a verification step where I look at all the sites myself to ensure the “newly rebuilt” tool works. And there’s a site missing. Why? It doesn’t know. It skipped over it. We rerun that site, get the data.

We’re processing the data, and it says, “Hey, I’m having trouble with this set, because it only has the last name of the author. I dumped the first name. I can get it if you think that’s important.” Umm…the first name might be important for ANY BOOK YOU’RE TRYING TO COMPARE, yes. And guess what? Yes, that is in the rules for every title partly because it has to be formatted a specific way so that it gets entered and compared properly. John Smith, not Smith|John. Why did it do it? It doesn’t know.

We’re trying to check the data against the existing data…some books show up in one club this month and another next month. We look for duplicates. Built into the tool. It runs the search, finds some matches…and deletes the duplicates. Except that is NOT the rule. I want to know that book 1 was chosen by five different clubs. We don’t just delete it. But it didn’t follow the rule. Why? Because it decided not to read that set of rules. Did I tell it to read the rules to run the intake? Yes. But it didn’t. It told me it did. But it didn’t. Why? Oops, maybe.

I move into the stage where I move some books into my database. It has about 12 fields to worry about … and it writes 3 of them, and not the other 9. Why? It forgot to look at that file. But the rules say to use that file. Oh, right, but I didn’t read the rules or instructions. It read the “description” of the goal and went off and tried to do it on its own. Even though I’ve spent 8 months building the tools so this will work perfectly. And it did. But I keep adding fences to constrain what it does and it blows past every gate.

I get to the end of the intake process. I go to look at the title field. These should be in pretty good shape as titles are the easiest to fix, it’s often been cleaned already in two places, and we’re just going with the best of 3 sources. Pretty high quality usually. They’re 60% crap. Why? Because it didn’t look at those fields during the change. Why? It doesn’t know.

I feel totally f***ed

As others have documented online in far more technical detail than I can, this isn’t a problem the user can fix. I have been trying to find ways around this terrible performance for the last three weeks. Different models with less adaptive reasoning. Different levels. No solution.

I almost think I need to teach it Simon Says. It tells me every time what Simon Says to do, then what it will actually do. And then what it actually did, with proof. Obviously, not a really viable method. At that point, it’s easier to do it yourself.

I think what bothers me most is that you have to go looking for people having similar experiences. Meanwhile, all the so-called experts on Substack and Threads and LinkedIn, oh my, are writing about here’s the best way to use Claude, use this config, try this. None of them have said WORD ONE about Claude acting like a sulking toddler with dementia. They just keep shilling Claude as the solution to everyone’s problems. People I thought were credible have zero rizz now.

Right now? I don’t know if I can trust ANYTHING from it. I was so excited to be able to use this tool when I retire; now I don’t know if this dementia is endemic to all AI or a six-month failure of Claude.

Have you been using Claude and seeing it degrade?

PolyWogg signature in green with a dark blue quill at the end.
Posted in Computers | Leave a reply

Leveling up: Memes, postcards and flashcards

The PolyBlog
May 13 2026

So, I have two giant premises working against me here:

  1. My blogs are very heavily geared towards words.
  2. I am not, by nature, a visually creative person.

Yet, every guru on anything web-related has said the same thing for the last fifteen years — that blogs and posts are only successful with eye candy. I’ve played with the formats of posts over the years in certain categories, trying to get them to a set format that I could perhaps turn into infographics or memes or postcards, oh my!

As I near retirement, and will be spending even more time writing and blogging, I decided to do a formal review of different categories to see how I could up my game.

Reviews

On my website, I have reviews of books, movies, TV episodes and seasons, and music, plus I have dabbled with the idea of reviewing podcasts. Highly text-based, maybe a visual in terms of something to identify the product — a book cover, a movie poster, a still from the TV episode, cover art from the album. But most visuals that are “out there in the world” are about the size of a 4×6″ photograph or postcard. Once you get past a few lines or a couple of headings, the text starts to get so small as to be unwieldy. All of my reviews are longer than that.

Book reviews are the most well-defined review type for me in my blog, with over 300 on file. I include a title with a rating, the year it was published, and the year of the review. Then, for the detailed review, I include a basic plot/premise, what I liked and didn’t like, any disclosure, and a one-line finishing line. I have also included images of the covers of the books. I could fit about 20% of my reviews on a postcard-sized layout, and that’s assuming my review is REALLY short. Most of them are not.

Looking at what else is out there, most alternatives take ONE of those elements and make it large. The cover, the text (200 words), half/half (text is about 40 words), carousels (strong hook on first card, maximum 3 cards for maintaining interest), or a thumbs up / thumbs down vibe. Or just the rating, sitting centre-stage (like for music reviews). Essentially, the real “outcome” of the comparison process is to realize that I can do three things:

  • Make a consistent format and stick to it;
  • If text doesn’t fit, make it fit OR treat it like a teaser to the website; and/or,
  • Decide how to handle the “branding elements” (ratings format, graphics for the book cover) which is often either consistent with the original cover or uniquely and consistently rebranded (cropping, recoloured, whatever).

I want to design “something”, likely with the cover embedded somehow. Maybe a frog-themed “presentation”.

I came up with a simple background, added the main parts of my book reviews, designed a consistent format, and some taglines, added a new frog image…and meh. They’re just blah. Someone might read them, they might not, but there’s nothing on them that will wow anyone. It’s really just my website review in a different format. There are lots of examples out there for Instagram or Pinterest, but my reviews aren’t really like any of them. As I said, they’re heavy-text, sure, but they’re also content-rich, not visual-rich. So “the simple option” of a consistent format and “making it fit” really doesn’t work.

Instead, I’m going to go with a teaser…I’ll include the cover at larger size, some froggy “chrome” (the parts around the content that signal PolyWogg/ThePolyBlog), and a call to arms … or to clicking mice to visit my website.

Movie reviews, TV reviews, music reviews, any other reviews…they all suffer the same limitations. I need a “teaser” card, not a full card.

For Music, most “reviews” are long-form publications, video reviews, podcasts, or tweets about charts. Very few include any sort of “rating” system, and many specialize in a specific genre to build credibility and followers.

For Movies, a lot of the sites are more aggregator sites like Rotten Tomatoes, showcasing accumulated ratings and taglines. If there is much else shared, it is often more long-form web posts or video clips.

For Video Games and Board Games, areas that I’m not yet reviewing, there are a lot of YouTube items, or the Playtography site from Singapore, with multiple high-quality images and instructions per game. I like the idea of something larger, but I think if I do these, I’ll have to settle for teasers to longer-form info on the website. Interestingly, game “badges” seem to replace traditional visual ratings systems in many of the good sites.

Teachable moments

I have a separate desire for “cards” of some sort related to teachable moments and materials. Take, for example, astrophotography. I would like to do simple AP cards, taken with my smartphone and telescope to show “this is what you see”. Maybe I’ll include a better photo inset to show what a longer exposure can get you; or maybe it’s the opposite, a high-quality photo with a smartphone picture inset. Or maybe it’s just the smartphone image along with the basic EXIF style data of settings, duration, etc. that produced the photo. I want to use a similar approach in my “intro to astronomy” books, but they would work well as a set of flashcards too. So people know what to expect when they’re expecting to see Star Trek-style and instead get black and white images more reminiscent of a dot matrix printer than a high-res copier. In part, what I want to compete against is the high-end video- or image-first feeds out there that show what you can get as an expert with too much time on your hands. On the smaller side, I’d like “baseball cards” for astronomy. Collect all your favourite galaxy clusters! Very few sites out there outside of commercial companies are doing picture-with-metadata. Starwalk probably comes the closest, although they’re also marketing their app, of course. Well, not including NASA or Astronomy Magazine / Sky & Telescope articles. What I don’t know is if I want to do star charts too, or guides to types of scopes, or even make the cards reversible. If they’re just photos, they can be postcard-sized; if I want teachable info, they likely go flashcard size.

I feel a similar desire around Photography in general. Part of me wants to share what I learn as I go, aka how to get off manual mode and take better pictures. And turn that into stuff that budding photographers might also find helpful / useful. Some of that might even be more software-oriented — how to process your photos or astrophotos in GIMP. I think all of those are more likely to be flashcard-size than postcards. And the vast majority of the rest of the field have moved to short-video, not text or cards.

If I go more general, teaching for software tools tends to be more video-based than anything else. Showing people — literally — how to do things in software. AI cards are becoming increasingly common, but so are long-form explanations. I’m intrigued by the various sites that generate strong content only in the form of infographics (e.g., HR on LinkedIn). Some use an “I’m an expert” voice; others are more like me, learning as they go (peer voice). Still others are more unique, with an entertainment voice or a humour voice, for example. Very few have a mascot, like my frog. More professional, less personal voice.

I have to confess. I would also love to have a series on writing. Maybe excerpts of adapted beat sheets from Save the Cat. Heroes’ Journey arcs. Summaries of tips from various writing books. There are some great bloggers out there on the writing life:

  • Jane Friedman (tips);
  • John Scalzi (writing life);
  • Austin Kleon (the writing life);
  • School of Plot (mostly fantasy craft);
  • K.M. Weiland (structuring);
  • Ann Handley (business and marketing);
  • Abbie Emmons (story craft for fiction);
  • Quill and Ink Society (a bit aggregator-ish, but consistent style to tips and resources);
  • Writing Prompts (on Instagram);
  • Tips for Writers (kind of similar to what I was thinking, albeit their version is a bit more aggregator-ish than personal);
  • Save the Cat (beats, of course);
  • Shawn Coyne (Story grid, more of an editorial methodology);
  • Chuck Wendig (working writer);
  • Writers Helping Writers;
  • Writer Unboxed;
  • Anne R. Allen (guidebook author);
  • The Brevity Blog (non-fiction writing);
  • Joanna Penn (indie publishing);
  • Welcome to the Writer’s Life;
  • The Marginalian (writing about reading); and,
  • Cal Newport (study hacks).

There are lots of tips and writing prompts; a few are broken down into reusable flashcards. I don’t quite know if I’m thinking of postcards or flashcards yet. Too soon to tell. But I do have some sub-categories to think about:

  1. Fiction craft (tips, lessons, plot, character, dialogue, voice, drafting, editing, etc.);
  2. The writing life (including creativity, inspiration, etc.);
  3. Business of writing and publishing (including marketing, self-publishing, etc.);
  4. Reading (including reviews, books in general, etc.);
  5. AI (as the devil or saint);
  6. Online resources;
  7. Non-fiction craft (tips, lessons, argument, evidence, framing, reframes, voice, etc.);

It will be a while before I can level up in some of those categories. But at least I have a LIST of the categories.

Recipes

In contrast to the above categories, recipe cards are overwhelmingly represented on the web. There is nothing new under the sun, so to speak, and EVERYTHING is relatively homogenous — ingredients on the left, instructions on the right. Different sites offer pictures of the meal if/when you print it out; some include it in a web app or full app; some include different styles of time estimates; some allow you to alter serving size, which then attempts to alter the ingredient totals; and some have designated “genre” or “difficulty” ratings. Or the type of meal — breakfast, lunch, dinner, appetizer, dessert, etc.

But the format is not that variable. What is variable is whether you produce full recipe cards that can be shared (the relative standard within a site) or teaser cards that lead to the site. Most use teaser cards to drive traffic to the site. And then have 10,000 ads when all you need is a recipe. Pages and pages of scrolling past pablum about their late Aunt Martha’s preference for paprika from one specific store that has nothing to do with the recipe, other than that the recipe happens to include paprika. The content is just there to give space to ads around it and drive revenue for the expensive sites. I hate them with a passion, honestly. Interestingly, almost all include a link labelled “Jump to the recipe.” Is there anyone who DOESN’T jump? Doesn’t matter, the ads still load, they get paid. Whatever. I don’t have ads, I will never have ads, I never want ads. I might have links to websites that I really like, but that’s just sidebar design.

I want to print all my recipes, but I’ve been stuck on a format for quite some time. So I stalled out. However, Andrea and Jacob gave me a special recipe book setup for Christmas this past year, and I’m going to start formatting and putting the good ones in the binder. đŸ™‚

And establishing some cards to go with it. However, I suck at doing “method as photos” while making them, and most of the time, I can’t even remember to take a picture of the final product. Plus, I need to work on the presentation. Anyway, I could install some nice little plugins to format everything for me, AND generate recipe cards for me, and all it costs me is $100 a year. Hmm…not likely. Let’s put a pin in that for now.

Humour and Quotes

Okay, so after all that, I’m back to the beginning. My real problem is not quotes. I know what the quotes can look like, put them on a postcard, make them shareable, just have to spruce it up more. Make it a bit more visually appealing than what I have (text on a bordered background with an alt text add-on for searchability). Boring.

For Humour, I was trying to figure out what to do with some of the long jokes…I was seeing it too much as an all or nothing style. If it’s short enough to go on a shareable meme, it can. If not, some of them may go on teaser cards, all postcard-sized. That took way more time to figure out that it should have.

I was curious, though, in the humour category, to see if there was anyone else there focused on retirement humour that went past sex-crazed snowbirds or old-age homes, or men wearing black socks, or false teeth issues. Aunty Acid is one, Maxine is another. Although they do trend at times towards “grumpy old woman” / wine / yoga pants / naps motif. I found The New 60…click through to see the blog and the latest entries, they’re quite good.

Pickles and Flo & Friends are decent, although a bit too snarky for my tastes. I also tripped over Oldster Magazine (already mentioned in a previous post, I think).

And that’s the ballgame for now.

Some good ideas, and some stuff resolved. Not a bad situation.

Posted in Computers | Leave a reply

Leveling up: Retirement content

The PolyBlog
May 6 2026

As I mentioned yesterday, I’m doing a “content” review of my websites to see if there are areas I should be expanding or contracting, comparing them to other blogs and posts that are out there. I would like to do more on retirement as I transition out of the public service, but I am always conscious of my voice. What do I bring to the discussion that others might not?

One area that I’m interested in is the psychology of retirement. Topics such as how people mentally prepare for retirement, how they frame the decision…do they see it as parole from a long jail sentence or graduation from a long tenured role or simply a celebration of their past accomplishments? Is it a transition — both sweet and sad — as they say goodbye to one domain and hello to another?

Oddly enough, despite my normal types of blogs, I have no interest in blogging about “the how” of retirement. I don’t want to talk about finances or pensions or forms or anything like that. I am interested in the experience, not the process. There are far better people out there on process. If it was something people did regularly, a transition that occurred such as you would experience changing departments, it might interest me. One-offs? Not so much.

As I started looking at some of the blogs that were out there, I found a lot about social security, Medicare in the US. OAS and CPP, etc., none of which are particularly of interest to me as a blogger. Instead, most of what I found that might be anywhere near my style is more that of long-form essayists building frames than bloggers dashing off quick hits.

The wish that was

It doesn’t take long in this space to come across the late Ronni Bennett (Time Goes By). Alas, she passed away in 2020, apparently, and her archived website is now triggering phishing warnings in two different security software programs that I’m running. No worries, there are LOTS of other essays she wrote in other sites, and they’re all good. I almost wish I was looking for stuff ten years ago and could have found her stuff as it was being published. Alas, ten years ago, I wouldn’t have appreciated it as much. And yet, reading back to a post (through the Internet Archive’s Wayback Machine) she wrote on June 15, 2020 (coincidentally my birthday of the year in which the world shut down):

I have always used writing to figure out what I think or believe and at this stage, there is a diminishing number of productive hours in a day. So here we are – an exercise in working out my thoughts and a blog post, all in one.

This was part of her Crabby Old Lady persona posts, and included the news that she was within the last six months to go. Short. Poignant. Resonance. A glimpse inside a heart as it actively beats, reverberating loudly in the quiet and increasing darkness. One can aspire to such beauty.

Wisdom of (an individual in) the crowd

Sara Botton runs the Oldster Magazine site, which is more of a digital collection than a traditional magazine, focusing on people aging, at whatever age. How we live, how we die, and everything in between. She has taken a structured approach to interviewing lots of famous people with a subversive “questionnaire”. Some questions resonate with one interviewee, some with another.

  1. How old are you?
  2. Is there another age you associate with yourself in your mind? If so, what is it? And why, do you think?
  3. Do you feel old for your age? Young for your age? Just right? Are you in step with your peers?
  4. What do you like about being your age?
  5. What is difficult about being your age?
  6. What is surprising about being your age, or different from what you expected, based on what you were told?
  7. What has aging given you? Taken away from you?
  8. How has getting older affected your sense of yourself, or your identity?
  9. What are some age-related milestones you are looking forward to? Or ones you “missed,” and might try to reach later, off-schedule, according to our culture and its expectations?
  10. What has been your favorite age so far, and why? Would you go back to this age if you could?
  11. Is there someone who is older than you, who makes growing older inspiring to you? Who is your aging idol and why?
  12. What aging-related adjustments have you recently made, style-wise, beauty-wise, health-wise?
  13. What’s an aging-related adjustment you refuse to make, and why?
  14. What’s your philosophy on celebrating birthdays as an adult? How do you celebrate yours?

Do you see what’s NOT in that list? Anything about retirement, work, money, marriage, children, regrets, death, etc. It’s not about benchmarks or hallmarks, it’s about how you feel right now. That’s kind of powerful.

For me, I’d be more interested in how people approached retirement (expectations), what it was like (voluntary or not, reality of process), negative “outcomes” you sought to avoid, stuff you miss and stuff you are glad to have gone, what does busy look like in your life now, current source of purpose, how have your friends group shifted if at all, any milestones you look forward to or dread, etc.

I could create my own questionnaire of sorts, I suppose. And I’d love to have such conversations with people. Something to think about.

Long-form essayists

Anne Lamott is more familiar to me for writing advice than for the long essays in Hallelujah, Anyway (on Substack) or the numerous books on faith, hope, etc. I have not seen her life-stage focus, or at least, I’ve never noticed it. Not quite a voice I would emulate, however beautiful and lyrical the prose. I admire the voice, but I don’t want to sing like her.

Sara Lawrence-Lightfoot’s work on the “third chapter” of life (ages 50-75) has been nothing short of groundbreaking, shifting the paradigm toward more productive conversations beyond retirement, slowing down, and/or declining health. I’ve added her books to my reading list (The Third Chapter, 2009; Exit, 2012; and Growing Each Other Up, 2016), although I confess I’m most interested in her thoughts on lifelong learning and embracing new things after 50.

Marc Freedman has a similar target audience — the age 50+ — but more on doing meaningful work. His work with Encore.org has all the marks of humanitarian creation, volunteering in retirement, etc. But I am not usually enamoured of the throughline. The argument, frequently, is “do meaningful work, improve your life”. Few question the logic, except that the logic is dependent that your “meaning” in life is from what you do, not what you experience. The service to others argument is indeed powerful, but it is the same argument that suggests every woman should be a mother, easily debunked. If you assume a good life is one that serves others, then serving others is a good way to have a meaningful life. The frame doesn’t hold for me, even if I admire the ethic. It’s part of the answer, but I have never felt it was the whole answer. Too simplistic, in my mind. Not simplistic for everyone, not in a normative sense, I just mean it doesn’t resonate enough with me.

I think what bothers me most, in a simplified way, is the idea of defining your worth in terms of meeting other people’s needs. It is a particularly utilitarian way of looking at life — and a slippery slope to saying other people are only of value if they serve me in some way too. That’s not the message, I know. But it is partly why it doesn’t resonate with me. I think a well-lived life is more about choosing a path, and adhering to it against adversity. Looking for truth in any form you can discover it. Service is one way, but not the only way. Which, of course, won’t stop me from reading his work and learning any applicable lesson I can. đŸ™‚

Tyler Cowen co-created the Marginal Revolution (Small Steps Toward A Much Better World) and the content is glorious. Everything anyone ever wanted to learn about economics is in plain language and free. Unless you buy the textbook. The scope is ambitious, the result is stupendous. And envy-inviting. I could only dream of creating something so significant. And he’s blogged every day since 2003, although he is a bit more succinct than I, and he seems to curate more these days than write. But what does he have to do with retirement? Nothing, really, so much as he does talk about productivity over the life-course. I’m not sure if that will hold as an ancillary lens for me, but it’s worth checking out in more detail. And if not, well, who doesn’t like learning about economics?

Mary Catherine Bateson’s point-of-view of “adulthood II” is compelling as a metaphor, as is the idea of life being a composition. But when she embraces the spirit of cultural anthropology, I find it merely interesting, not resonant.

That can’t be everybody

Of course not. There are literally hundreds of thousands of people out there blogging about various stages of life, but finding ones that are closer to my voice is a bit harder than a pure Google search. And what I avoided were ones with singular niches or specialties. Sports in retirement. Dancing in retirement. Travel in retirement. Sex in retirement. Finances in retirement. That’s not what I’m looking for, nor what I’m likely to focus on. As I said above, lifelong learning is more likely to be my slant than anything else.

And yet searching for that will basically just turn up enormous numbers of sites with ads to “learn with them as a mature adult”. I’ve already blogged about all my learning considerations and options when I retire. And whether I might take a Transitional Support Measure to do some formal learning.

Tom Vanderbilt’s approach in “Beginners: The Joy and Transformative Power of Lifelong Learning” (2021) focuses on a year of doing new things, which is intriguing as an initial premise, but not near long enough to judge a framework.

Although, maybe I’m too quick to discount the ads. There is the Osher Lifelong Learning Institutes (OLLIs) in the US that used to be “Institutes for Learning in Retirement”; the UK and France created the University of the Third Age which is more international now; and there are some examples in Canada. Perhaps worth a look.

I also should perhaps pull my head out of the retirement space to reframe the lifelong learning component and see what others are writing about for lifelong learning BEFORE retirement. People like Cal Newport; Andy Matuschak; Maggie Appleton; or Michael Nielsen. Not quite sure they’re worth the time investment to dive deep or not, as they are often focused on the nature of adult learning itself, which is only part of the issue for me. Although I **DO** have other non-fiction writing that would benefit from that lens, and some of Cal Newport’s work is already in my TBR pile.

I thought I would find more of a definitive resonant source to read. Instead, I found fragmented stuff, all of which are potential rabbit holes for me. The economic stuff alone could consume a year of fun reading. No, I’m serious. đŸ™‚

Useful starting points though.

Posted in Computers, Learning and Ideas | Leave a reply

Leveling up: Government content

The PolyBlog
May 4 2026

Let me start by saying I like my websites. Sure, there are always things I could tweak here or there, or it could be on a faster server, or it could be more SEO friendly. I’d love to host videos inline without jacking the server costs. But overall, I like my two froggy homes. ThePolyBlog for my personal stuff and PolyWogg for my more professional stuff. Or, to steal from someone else’s framing that I like, the first is for me and the second is for others.

That doesn’t mean, though, that I don’t take it seriously. There are almost 2M words on the two sites, and more than a few regular followers. Which is rare for a long-form personal blog. As I near retirement, I wanted to do an honest review of my content against what other people in similar or adjacent spheres were doing. Both to help me understand my positioning as well as potentially give me ideas for opportunities I’m not exploiting. Most of that review is done. Let’s see where I’m at.

Insight into government

I naively thought there might be more sites like mine out there blogging about government life, how government works, etc. Insider looks from a public administration mindset. Government 101 perhaps. Maybe not a lot in Canada, but around the world? Average people like, well, me? Surely there would be some in Australia, US, UK, maybe New Zealand.

In Canada, I quickly tripped over Michael Wernick’s “Governing Canada”, which I had already read. It’s a good find as I do admire some of his style and his ability to remain apolitical in his descriptions (which reviewers decry). Except it was a little too white bread treatment, even for my tastes.

Donald Savoie is a huge Canadian voice, with books, Policy Options essays, etc. They’re practically a whole genre unto themselves. And yet, they don’t land with me as strongly as they should. A little too theoretical, upbeat? Not enough grit perhaps? Not sure.

Sam Freedman’s stuff on Substack (Comment is Freed) and his book (Failed State). A little too British-specific to catch my attention, but quite popular. And long form (many posts > 3000 words!). Except it is far more political than I would want. Predictions on elections, analysis of races, analysis of political positions in various cases. Not my cup of tea, normally. Yawn.

Ian Dunt has Striking 13 on Substack, books and podcasts (oh my!). Finding him was like finding buried treasure. I’ve marked his book, How Westminster Works… and Why It Doesn’t, for later, although I’ve already skimmed a few chapters. I was super excited about the first bits, until I realized the general thread of “how it works” seems similar to some books written in the Maritimes in Canada — government is stupid because politicians are stupid and do stupid things. Not really my jam. I know why people believe that, I know why people like that line…I’m just not one of them. A little too angry a line for me. Maybe 10% will be useful for me to think about for future topics.

Martin Stanley is a little too Mandarin-ish by contrast. Amazing stuff, from the https://civilservant.org.uk/ website to the Substack. I’ve bookmarked his book, “How to be a Civil Servant” for later. Mostly as I want to see what he has to say about running policy teams. And he has the right tone — this is “how it works” with some analysis of limits and perks, but not angry. Definitely a tone I aspire to match.

I had not seen Jen Pahlka’s work before, or maybe I dismissed it as too US-centric, not sure. The name was familiar, but I had not specifically seen her “Recoding America” stuff before. Digital service delivery is mostly outside of my purview, but I’ll take a look.

David Eaves stuff for Canada is a bit more data-ish, even more than Pahlka, probably more than I’ll enjoy, but I’ll also take a gander.

And then I run out of options that I’m likely to emulate.

Future options

I know I want to write about skills, performance, Government 101, audits, HR and life as a manager. I already know my voice for most of those, and maybe about 10% of the above will help flesh out the 101 stuff and life as a manager. The rest? That’s mostly on me. And some books, of course. Lots of books. I was just hoping to find other writers fighting government monsters and gazing long enough into the abyss that the abyss has begun to start gazing back into them. A few abyss dwellers. And me. Alone in my pond. Typing away. đŸ™‚ I assumed my voice was rare; I didn’t think my croaking was unique. Ribbit.

Posted in Computers | 2 Replies

AI testing: The Bad…Time loops, tech support quirks, and drift

The PolyBlog
April 18 2026

By now, most people have seen some form of AI crop up in their tools. The most obvious one is Google’s search engine, which provides results from its AI mode first in the list. You can go pretty far with that prompt, even asking for image creation, although that’s a terrible place to create images (full imaging tools aren’t really available in AI search engine mode).

In my case, I’ve used it for some research here and there, often against a framework I had in mind. More recently, I’ve had it helping me “test” some frameworks. I design a framework for something I’m building or writing, I outline it and paste the outline into AI, and ask it to challenge the framework from the perspective of say gender equity, under-represented groups, or literacy levels. Something more than a grammar check, something less than a full AI partner. When it’s done, I decide if I want to change anything in my approach.

But I’ve discovered some recurring oddities. Not necessarily bugs, just aspects of LLM-based tools that attempt to translate what I’ve said into something concrete.

Time Loops

About three months ago, I was testing Google’s tools to create an image. I eventually moved to ChatGPT to do the same. And both tools had the same problem.

I input a bunch of prompts. Created some sample images. Iterated a few things. All good. Then I told it to “tweak the image” in a certain way, and it said, “Okay, here you go.” But it was the same as the previous image. There was no “change” or iteration.

Okay, I thought, random glitch. Please regenerate the image with the following changes. Enter, whirr, ding. Same image. Huh?

I would then tell the AI that it gave me the same image again. Apologies, whirling indicator, bam! New image, same as the old. No matter what I did, it would not give me anything else.

It felt like a giant glitch. Or Groundhog Day. No matter what I did, same result. I couldn’t get out of the loop.

At the time, I had NO idea what was happening. Was it me? Was it the AI? Was it my browser?

I now realize it’s essentially a memory issue. Each chat in certain tools has an amount of “context” memory built into it. Once that’s full, loops start happening. Things bog down. In some tools, it will say, “Hey, I need to compact, okay?” and it will crunch your chat and go, “all ready!”. Except you have no control over what it ditched. Images perhaps? Instructions you definitely needed it to remember? Gone. In other tools, it compacts without even telling you.

The AI experts advise that where you had it generate a lot of “assets” (pictures, documents, etc.), it’s better to start your next phase with a clean prompt. You can cheat, though … if you ask an AI tool for a “handover” note, it will generate one you can prompt into the next chat, while it quietly fades into an ignored chat window. Waiting to see if you ever come back.

Google AI mode and ChatGPT seem terrible for this. I hit a lot of loop walls quickly. Gemini wasn’t so bad, but I think that was one of the ones that just compacted on its own. I actually prompted it a few times to save just to be safe. Claude, by contrast, doesn’t seem to have ANY of that happening. It hasn’t got stuck in a loop, and I haven’t seen it compressing/compacting/deleting anything yet.

PolyWogg 0, AI -25.

Technical support

One use case people recommend for AI is technical support. I’ve had four experiences using AI as technical support, and it has done a couple of things okay-to-well, and bombed on others.

The first bomb was on support in a program called mIRC. The IRC part of that is for Internet Relay Chat, and mIRC has been my go-to tool for online chatting since the late ’90s, when I used to be really into it. I have a couple of specific uses for it now, and I installed a couple of plugins recently to automate some stuff. Great, except they didn’t work QUITE the way I wanted, and the default display was in 9-point font. So, I asked ChatGPT how to tweak the mIRC settings for what I wanted.

One of the first things I told it was that I was using version 7.8.3. It has changed interfaces over the years, as well as command structures, so old commands won’t work; just like the voicemail messages say, “Please listen closely to the following options as our menu items have changed.” Okay, ChatGPT said, in its oh-so-confident way, that setting the display font to 16 points was super easy. It gave me a simple command, I entered it, and Bam! Error message. mIRC had no idea what that command was.

I told ChatGPT, it said, “Oh, right, sorry, yes, it’s done THIS way.” Another command, same error. “Oops, let’s do it through the menus, guaranteed to work. Click on DCC / Options / Display / Fonts”. Except there is no DISPLAY option under options. The menus have changed. Took me a while to find where fonts were. Made the change. No help really from chat, I just found the setting. Great.

Except no change. It would change the font for the chat window, but not the popup windows that I needed to tweak. Back to ChatGPT. Reminding it that I was in 7.8.3. Oops, it told me, the instructions were for version 4.3 or something archaic. What? Why? I specifically told you NOT to show me guesses, and to ONLY show me solutions that were validated for 7.8.3. It politely informed me that it hadn’t guessed; it had “INFERRED”.

And thus began my long descent into a deep rabbit hole with AI along for the ride, digging small tunnels ahead of me.

I knew the change could be done, that it wasn’t rocket science, and that I wouldn’t figure it out on my own. I knew just enough to know that either the default font or the plugin font was set too low. No other way for it to be wrong. I knew, therefore, Dr. Watson, that I could either fix the original setting, find a way to override the setting automatically, find a way to change it manually after the fact, or ignore it completely. As time wore on, that last option grew increasingly attractive.

To be fair, mIRC isn’t exactly a commercial application like Microsoft Word. It doesn’t have millions of users. And a user plugin within mIRC? That has even less information about it.

Yet each time I asked a question, the AI tool would say, “Oh, I know how to do that!” Except it never did. It couldn’t find where the default font was set, although I later figured out that it wouldn’t matter, it was the plugin font that was the problem. And it couldn’t figure out how to change fonts AT ALL. Nor could I. I opened EVERY file that came with the plugin. Lots of stuff for settings in the pop-up window, but nowhere where it had a font setting. It seems to be hardcoded in the plugin, alas.

I was undaunted. I knew that if I couldn’t do the first two options, I could at least set it after it loaded. Because I could go into the menu, choose Options / Preferences / Fonts / Font choice. Or something equivalent. It took about 5 clicks to get to where I wanted to change the font. But then if another window opened, I had to edit that one too — another 5 clicks.

None of the options AI suggested worked. Auto-load commands, mIRC scripts — none of them worked — and mostly ended up with the AI tool telling me, “Oh, it would have worked if you were using an older version.” WHICH I TOLD IT NOT TO DO! Grumble, grumble.

I found a workaround — I forced the font menu onto the taskbar manually and then told it to stay there forever; now when the pop-up shows up in 9-point font, I can click the taskbar, the menu opens, I change the font to 16 to 20 points, and it’s done. Super easy, two clicks.

PolyWogg 1, AI -25.

Drifting back to shore

This is a newer version of the loop problem. At least, it seems like it is the same sort of error.

I was trying to get Claude to do an image for me. I wanted to create a badge, with an embroidered edge. All of the AI tools take different approaches to images; some work in specific types of image scenarios, others in different scenarios, and others? Well, some don’t work at all.

Claude NAILED the first part of the badge problem. It gave me a perfect ring on the first try, which none of the other tools did (it uses SVG vectors to handle the geometry, hence why it was so accurate). But when it tried to do the embroidery, it failed completely. Nothing it did looked like embroidery.

I scrapped that idea, moved on. About 40 minutes later, out of nowhere, its attempts at embroidery showed up again in the margins. I was like, “Huh? Did I paste an old prompt?”. So I asked it why it included embroidery in that version. It told me because I asked for it earlier, and the algorithm forgot that I said no to it, so it went back and did it again. It had “drifted” back to the earlier setup. A little weird, so I had it add a prompt component that said very clearly, NO EMBROIDERY ELEMENTS. About 20 minutes later, working much further down in the model, the embroidery attempt came back. I checked the prompt; it clearly said no embroidery. So I asked again, “How?”.

This was a second type of drift. It had analyzed the prompt. And because I had asked for embroidery before (positive inclusion) and now was excluding it (negative inclusion), the fact that I had mentioned it at all was interpreted as positive inclusion. It ignored the “NO” part. I suddenly felt like I was working at Foreign Affairs back in the old days of TELEXes where you couldn’t afford for a word to be missed so you would type NO/NO to make sure one of the “NOs” made it through. I didn’t try that with Claude, because it was now a VERY long chat, Claude was getting on in digital minutes/years, and showing signs of confusion. I reset and started with a new chat, no mention of embroidery. It never showed up again.

I couldn’t find a way around it, other than using new chats. Not sure that’s a win.

PolyWogg 0, AI -2.

That’s the bad news. I was going to write about the tips it gave me for GIMP, but that’s a mixed bag, not all bad. And what really excites me is all the good things it’s done for me. That’s the next post. đŸ™‚

Posted in Computers, Learning and Ideas | Tagged AI, computers | Leave a reply

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