The simple premise of the show, Call Your Mother, is that a mother in Iowa is worried about her two kids who are now living in L.A. The daughter is the oldest, and Mom isn’t really worried about her, she has a job, an apartment, a boyfriend, etc. No, Mom is worried about the younger son that she’s been calling for 4d and who isn’t calling her back. So Mom flies to L.A. to check on him, and the obvious long-term result will be her moving there. In the opener, she meets the daughter’s gay roommate, son’s girlfriend, and a hot AirBNB owner that she’s renting an apartment from…
Yes it’s a sitcom, and while it isn’t uncommon for pilots / premieres not being able to make me laugh, the complete lack of chemistry for ANYONE in the show is surprising.
Kyra Sedgwick plays the mother, and she’s often hit and miss with me. I confess, I HATED her on the Closer and lasted only an EP or 2 before bailing. But others loved her, and she went 109 EPs. I liked her way back in Something To Talk About, even though the show sucked, even compared to the song. Here? I found her more embarrassing as a character…borderline pitiful as she has her empty-nesting identity crisis. Which is only resolved with her maybe staying because her kids “still need her”. Actually? They don’t. But whatever.
The daughter and son are played by Rachel Sennott and Joey Bragg, and while they may grow into the roles, they have zero chemistry together. Yet that is the second leg of the show — that they grew apart and Mom wants them to kiss and make nice-nice. Yawn.
For supporting cast, Austin Crute plays the gay roommate, with some funny lines, but I liked him better in Daybreak. The son’s gf is played by Emma Caymares, and her role is beyond confused. Confident? Stylish? Worldly? And she’s with the kid who plays video games with no real ambition or charm. Riiiiight. Plus she is just all over the place without him, depending on who she is interacting with … superficial, deep, charming, rude. Weird.
The only real bright spot in the whole show is Patrick Brammall as the AirBnB owner. He seems solid, consistent, right up until he hits on Kyra’s character. She’s clearly a mess, he’s a THERAPIST and can see the warning signs, but he’s sucked right in. Supposedly. Too bad, her pursuing him might be an interesting plot. Not enough to stick around, but interesting.
In the end, it isn’t funny, not great acting by anyone, and there’s almost no chemistry. The third-string apt owner is the only “plus”, so I’m out, and I predict cancellation along the way.
There’s a strange “deadcat bounce” to some comedy shows. If you watch the first one, and it isn’t that funny, but okay to watch, and then watch a few more episodes, you often find that the jokes you didn’t think were funny the first time are not bad when you understand the full context for them.
In other words, once you get past the initial “kersplat” of a premiere, there’s a deadcat bounce to the second or third EPs that work just because you already know the characters and the writers don’t have to dump tons of exposition into the dialogue.
The Great North might be one of those shows. I watched EP1, and as an animated “adult” comedy show, I was expecting to see it be either really lame or just ripping off other shows. But I confess I found it kind of new. Not “Schitt’s Creek” / “Corner Gas” new, which would be bad in my view (I hate both shows’ style of so-called humour with a passion), but more the Simpsons’ in Alaska with older siblings.
It’s about a rugged family living in Alaska, and there’s a great line at the start to explain the Dad’s approach to life:
“Yeah, all right, I’ve chopped this month’s wood, mended the fishing nets, canned a batch of pepper jelly, and brainstormed my Hallowe’en costume. I think people are going to love me as Sully from Monster’s University. And it’s 5 a.m. The kids will be up soon. Oh, I almost forgot to stare with wild wonder at Alaska’s majesty while whispering ‘Hot Dog’. Hot Dog.”
Beef, the Dad, is voiced by Nick Offerman (Ron from Parks and Recreation), and he’s awesome.
The main protagonist in the story though is the daughter, Judie, voiced by Jenny Slate. She’s also awesome, and while it is hard to translate comic timing from SNL to an animated show where they manipulate the audio to match the animation, she does a great job giving Judie some range.
Other voices include the oldest son Wolf (Will Forte, SNL), his fiancée HoneyBee (Dulcé Sloan, The Daily Show) from San Francisco, the next brother Ham (Paul Rust), and youngest brother Moon (Aparna Nancherla). Megan Mulally and Alanis Morrissette also drop by as recurring characters (Alanis as herself, and I don’t recognize her voice AT ALL).
There are a constant supply of dry bits throughout the entire first EP. A moose that gets into the house, Judie talking to Alanis about her life plans and grabbing life by the ass, with a butt cheek in each hand, heck I even enjoyed a passing reference to a dock woman who wants them to buy Tupperware because if she doesn’t sell enough, she’ll owe thousands of dollars to her rep, Cheryl. I admit the first plot was probably ridiculous, as most animated shows are, but having Dad and the kids pretend that Mom was eaten by a bear rather than ran off to Pittsburgh with a guy named Marcus, is a bit odd for an opening premise. Oh, it’s not the main thing, that’s Judie leaving the family fishing business to work in photography at the mall.
But I laughed multiple times, and not only is that rare with most comedies, it is RARER still in a COVID world. I’m in.
I saw that there was a show about missing girls, and two women investigating, tracking down the truth. Originally, I thought it was some fact-based pseudo-documentary, which doesn’t really interest me most of the time. But it got some buzz and I flagged it for the future. Tonight I managed to get through EP1, and I would say it is more Twin Peaks than Law & Order or True Crime.
In the opener, a mild-mannered but psycho trucker kidnaps a part-time hooker, and then adds a couple of young girls to the mix who pissed him off on the highway. In the meantime, there are three women running around at a PI firm, a husband of one of them that the other is sleeping with, and a state trooper. Oh, and the guy’s mother, a couple of people in a truck stop, the girls’ mother, boyfriend, various spouses, etc.
I confess, I thought there would be a mystery. Instead, you see the bad guy from the start. No doubt, not unclear. There’s a giant twist at the end of the episode that takes it into the conspiracy theory world, something with human trafficking and who is involved, but other than that, it’s relatively routine. I’m not sure where to start for the acting.
Start with the investigators
Okay, there are two female investigators, with prior law enforcement backgrounds, a male PI, and their office manager. They’re the driving force for the investigation because when the two young girls go missing, they were on their way to see one of their family members. It’s a little confused, I forget which one, doesn’t matter. They have a link, they’re going to investigate their disappearance. Maybe it’s nothing, car break down, or cell phone reception, or an accident, something. Until the local state trooper mentions that they have a number of young girls who have gone missing from the area in recent months. Why would he mention it to a PI? He wouldn’t, but the story needs some prodding. VICAP shows most of them disappeared from truck stops (oh, yeah, the bad guy is a trucker).
For the two women, the scorned woman whose husband cheated on her is played by Vikings’ Katheryn Winnick. She did a decent fight scene, but other than that, most of her character in EP1 is stuck in PO mode. Yawn. The woman who slept with her husband is played by Kylie Bunbury, and I totally did NOT place her as the star of Pitch a few seasons ago. She looks totally different…almost mature, compared to the youthful ballplayer previously. I like her, I like her acting, not a whole lot for her to do in EP1 though. She has one scene of substance, but it’s one-sided, so hard to see how it evolves. They’re supported in the office by Dedee Pfeiffer, and while I have seen her in stuff all the way back to Cybill, I didn’t get much of a feel for her. She had a couple of good scenes, but very small.
Switch to the bad guys
So the killer truck driver is played by Brian Geraghty, and he has a long list of credits all the way back to the Hurt Locker. None of them really resonate with me, and while the show is written with him as a hen-pecked boy by his mother, the only scene where he shines is when interacting with the part-time hooker.
His mother, by contrast, is far creepier. Valerie Mahaffey usually comes off as a bit spacey, almost like she’s on perpetual drugs. Not just here, most of her roles where I’ve seen her! She’s obsessed with her son, and as I said, she seems scarier than he does. He’s just nuts; she’s creepy too.
Maybe the victims?
Natalie Alyn Lind plays the driver of the car that gets in a road rage incident with the trucker, and I struggled to place her. I knew it was some sort of superhero show, but I could not identify her as one half of the Strucker twins from The Gifted. She’s okay as an actress, not a lot of range in that show, but she was better (I thought) on Gotham. The others? Meh.
So that leaves me with investigators I can’t get much a feel for, a weak villain, and a victim that doesn’t scream “save me” so much as “will you stop whining if someone DOES save you?”. Harsh, I know.
But I don’t really care. If I didn’t know who the killer was, I might be able to care about what happened. A totally different style of story, but here it seems like an hour-long episode of exposition. Except for the last 30s, which was shocking as a twist, sure, but not enough for me to come back.
TV Grim Reaper is predicting renewal, and he’s likely not wrong, although I don’t know where the case goes after Season 1. But I won’t be watching…I’m already out after EP1, and I would vote for cancellation.
I don’t what to say about the show as I’m not entirely sure what it is all about. Oh, sure, I know the basics. EPIX created a 1980-based show, with a group of mainly-white college grads ready to take on the world, figuring out their lives post-high school, post-college. They seem way more like high-schoolers than college grads, but whatever. Officially, it is a “dramedy” and if you watched the first EP, you would see it basically means a drama at sitcom length. No laughs, lots of young adult angst. Fabricated drama, not real drama. Their entire drama seems to be related to “now what?”. Yawn.
No, seriously, I was waiting for a car accident. A pregnancy. An overdose. Someone with AIDS symptoms, some THING to care about other than “will they or won’t they”, which was answered in the first 30s.
Maybe drama kicks up when the Bridge and Tunnel set hits Manhattan from Long Island, but why would I care? Perhaps the acting?
Let’s start with the actresses. Caitlin Stasey is the lead, a wannabe fashion designer, and she seems familiar, but I haven’t seen her in any of the credits listed in IMDB. Which means I’m thinking of an older doppelganger, and while I can’t place the original, neither are a bonus. She comes off as a 12yo pretending to be 30, so she has to be brash and smoke aggressively. It looks ridiculous, but at age 52, I’m not the demo they’re going for either. Although I’m not sure WHO they are going for — the young millennials won’t be able to relate either. Seeing her with a big cordless phone in the backyard with an antenna was painful.
Her posse is made up of Gigi Zumbado (nothing remarkable in her credits or her performance) and Izabella Farrell (basic credits). Gigi is basically a parrot for Caitlin, maybe it will end up as some sort of romance thing, while Izabella is the no-nonsense “thinker” who will tell them what to do, despite feeling inferior as she couldn’t handle college.
For the boys, we have Sam Vartholomeos as the lead, Jan Luis Castellanos as his athletic friend, and Brian Muller as the analytical guy who talks too much. Sam was on Star Trek Discovery, and I don’t even remember him. Here? Even less memorable. No drive, no ambition, misses his GF, but his father tells him to keep his eye on the prize and not get distracted, but who knows what the prize is as he was talking mostly about hitchhiking around the country. WTF? Jan Luis has a few more noteworthy credits but still nothing big either. Don’t know him, don’t care. Same deal for Brian. Nothing in the past, nothing in the show.
Oh look, creator Edward Burns plays Dad. How exciting! Snore.
I want 27m of my life back. I have no idea why anyone is funding this other than it was Ed Burns, I guess. EPIX is outside of the normal funding bubble, but I’ll still predict cancellation.
I like to give all new shows a shot, and if you tell me there is a remake of the Equalizer show from back in ’85, I’m going to watch it. If you tell me it’s Denzel as the Equalizer, I’m a bit skeptical. Not because he’s black, that part doesn’t matter, but because he comes off too soft-spoken in just about every role I’ve ever seen him in. I need to feel a sense of caged menace, someone who can unleash a can of whoop-ass. Now Matt Damon doesn’t have it, but did an awesome job as Jason Bourne, creating a whole new genre of secret agent movie options in the process. It’s a good predecessor for shows like Hanna, where you see a young girl, seemingly incapable of such violence, exploding with force and technique. And yet, I watched the two Equalizer movies and I yawned. I felt like Denzel was a terrible choice. Too much Crimson Tide, not enough Training Day or the Book of Eli. Don’t get me wrong, I watched the second movie even after I didn’t like the first one. It’s still a great character, helping the little guy or gal.
Then I saw the big announcement that The (new) Equalizer would be on after the Super Bowl. And I thought, “Oh right, I remember hearing it was coming back as a show. Who’s the star?”. Queen Latifah. WTF? This is the EQUALIZER, not LIVING SINGLE WITH GUNS! But you know, I like to enter open-minded. Sweet innocent Ali from God Friended Me is the new Batwoman, and she’s doing a great job. Nothing about her previous “soft” role suggested to me that she could do action sequences, and I’m still enjoying it, so maybe QL going from comedy/sitcom to action will be fine, right?
And in every scene EXCEPT the action scenes, she’s great. She has fantastic presence, a nice sense of warmth, the mom-bordering-on-grandma vibe reminiscent of the grandfatherly vibe of Edward Woodward in the original series. Truth be told, his action sequences weren’t anything amazing either.
But this is the Equalizer. And what I need to see is that this amazing CIA operative is so much better than everyone else. I don’t need to be told it, I need to see it. Yet in the one big action sequence, she’s slow as molasses. They use quick cuts to speed up the action, but it seems like she’s moving in slow motion. The ads for the show made this big deal out of her riding a motorcycle, and it seemed very action-packed. Nope, she rode up. She got off slowly. She walked over to a van, she walked back to the bike, got on with someone, spun the wheels and drove off. No sense of urgency, no smash and grab. Nothing anywhere in any of the scenes suggests quick, decisive, violence, the stock in trade of the ex-operative who is the best of the best.
In lieu of high-octane, or anything resembling the origins of Death Wish, Sudden Impact, Dirty Harry, Jason Bourne, it was a PG episode looking like a Stephen J Cannell production of the 1980s with nobody getting more than a bloody nose except for the first victim.
However, she has some good characters around her with decent acting. Adam Goldberg plays a computer hacker she helped in a past life, and I could NOT place him at all. Not as Simon Hayes from God Friended Me, not as Private Mellish from Saving Private Ryan. But he’s great. His wife, a sharpshooter, is played by Liza Lapira and I had the same brain freeze on her…I would not have figured out it was Ivy from Dollhouse, or Michelle Lee from NCIS, or even Yuki from Dexter. She’s decent, not much to do.
Most of the rest is window dressing. She has a daughter, who’s okay, and her mother is played by…wait for it…Lorraine Toussaint with about 3 lines in the whole episode. I’m assuming that changes later, but whatever. There’s a victim of the week and a bad guy of the week, they do alright.
But the “presence” is a police detective played by Tory Kittles. He has been in lots of stuff over the years, none of which I’ve seen, but he has a nice, quiet presence. It will be interesting to see what they do with him.
More unusual is her former training officer at the CIA, now in the private sector, played by Mr. Big himself, Chris Noth. I loved him for most of the Law and Order original run and here he’s playing a relatively nice guy, who’s seen some stuff, might be a bit ethically challenged here and there, but generally a good guy. And will provide backup to McCall when needed. I like him, good addition.
But will anyone watch?
QL is a good actress, and if she was about 15y younger or more athletic, I’d say sign me and a bunch of other people up to see a black woman kick ass and take names. But this is not a superhero show, and she has no amazing skills to show off. It’s watchable, but I’m not sure anyone will show up. It simply wasn’t exciting enough.
Yet I still love the premise. I always do. Give me a lone crusader helping people, maybe a throw-back to old style Westerns where the gun-fighter rides into town, cleans up a mess, and rides on. So I’m probably going to watch, at least for a few more episodes at least. Hopefully the action will pick up. If they had a bit more budget, it would be great to see her take on a young partner who needs some seasoning. And if things get too big for her? Maybe she can hire the A-Team to back her up.
