Cliff Janeway is a book-loving police detective, and when a down-on-his-luck bookscout gets killed in an alley, Cliff thinks he knows who did it — Jackie Newton, local sadist and suspected killer of homeless men.
What I Liked
The first half of the book has an almost “western” feel to it, with Jackie being the resident bad guy and Cliff the passing drifter who stands his ground against the bully. It has a nice feel to it, but nothing super special. Then Cliff moves into the bookworld looking for who killed Bobby the BookScout, and the book blossoms into a story about a booklover who also happens to be a detective. It’s a fantastic world, made real with the details.
What I Didn’t Like
Jackie never seems real to me, more a caricature, and it is the bookworld that really brings it alive. Equally, there are some romance elements that don’t really work in the story, it seems more like going through the motions than immersive.
The Bottom Line
Great first book in the series, worthy of an Edgar nomination.
A young girl uses stolen books to distract herself from the reality of living in Nazi Germany in WWII while hiding a Jewish man in her basement.
What I Liked
It is incredibly difficult to know how to review this book. The second half moves along at a much quicker pace and with much higher stakes. The book is narrated by Death / Grim Reaper, and the chapter headings give glimpses of what is to come. There are some red herrings near the end, implying one ending while leading to another, but overall it is pretty solid. The characters are lively, the girl is outstanding, and there are glimpses of her family that offer rare moments of joy and love. And it moved me to tears at the end.
What I Didn’t Like
It is hard to accept the implied message that “most Germans were good / nice”, it was just the Nazis that were bad people. And even the storyline written by the Jewish man in the basement is that it is all because of the Fuhrer, that Hitler is the only truly evil one. There are parts of it that read like almost an apology for Nazism rather than a sense of accountability for the nation’s deeds. The extra materials at the end tell how the author was inspired by his grandparents’ accounts of the ordinariness (in some ways) of the war in Germany for Germans – something that happened around them, or to them, not committed by them. In terms of the writing, the first half is a bit slow and dull, and the constant foreshadowing is repetitive and annoying at the start, less so at the end. The caricature of the mother is ridiculous; she only becomes human near the end. Finally, and this is a bit of a spoiler, the story ends rather abruptly, leaving out a huge opportunity to tell some more story. I know this book is aimed at teens and is hugely popular, but I would not wants someone relying on this book as their only source of history.
The book is a collection of two sets of stories — the first set is part of the Kinsey Millhone series and set throughout the Alphabet series in time; the second set is about Kit Blue.
What I Liked
The first part, with Kinsey Millhone, includes an introduction about how she created Kinsey (4/5), nine shortstories, and a conclusion about the history of the genre of the hard-boiled PI (3/5). The shortstories are fun to read, but there isn’t much “Kinsey” in them. Too little time to dwell, mostly focused on “wham bam, here’s a clue, here’s a solution”. One I rate at 4/5, five more at 3/5, and another three that aren’t very good at all.
Between the Sheets — Great opening where woman shows up to confess to murder she hasn’t reported yet, and when she goes back, the body is gone (3/5);
Long Gone — Missing wife, lots of kids, clues are pretty obvious (3/5);
The Parker Shotgun — Cool premise, quick solution, fair with the clues (4/5);
Non Sung Smoke — Find a one-night stand, have him get killed, throw in some drugs (3/5);
Full Circle — Cute ending to a simple case of who killed a young woman in a horrific car accident that Kinsey witnessed (3/5); and,
A Little Missionary Work — Two celebrities ask for Kinsey’s help with a fake kidnapping, but Kinsey reverses the con in the end (3/5).
The second part includes an introduction about Grafton’s not-so-idyllic early life, and how “Kit Blue” is a younger version of herself (3/5). The remaining thirteen stories work quite well as a collection of slices of Kit’s life, although individually I rate one as 5/5, five as 4/5, and three as 3/5, with another four below the line:
That’s Not An Easy Way To Go — Kit realizing she’s become the mother to her alcoholic mother (4/5);
Lost People — Kit reflecting on her alcoholic parents, displaced from their own lives (3/5);
Clue — Slice of life with mother visiting and Kit’s relief when she leaves (3/5);
Night Visit, Corridor A — Kit visiting mother in hospital (4/5);
April 24, 1960 — Kit dealing with news of her mother’s death on Kit’s birthday, and being irritated by her husband trying to comfort her (4/5);
The Closet — Kit cleaning out her mother’s closet after she’s gone and trying to figure out what it represents, if anything (4/5);
Maple Hill — Kit walking through an empty house saying goodbye to all of it (5/5);
Jessie — a housewoman talking about Kit’s mother (4/5); and,
A Letter From My Father — Kit reading a letter and sharing her own views of their life together (3/5).
What I Didn’t Like
Three of the Kinsey stories aren’t great:
Falling Off The Roof — A mystery book club with murder on its mind (1/5);
A Poison That Leaves No Trace — Quick case of a dead sister looking to know if her niece killed her mother (2/5); and,
The Lying Game — Old trope about a liar and a truthteller, you can only ask one question (1/5).
Four of the Kit Blue slices don’t stand alone very well:
A Woman Capable of Anything — Kit Blue watching a sleeping alcoholic mother (1/5);
A Portable Life — Kit coming to terms with the past being destroyed (1/5);
The Quarrel — Kit listening to her father explain his new wife’s behaviour (2/5); and,
Death Review — Kit’s working in a hospital as a medical secretary, spotting glimpses of her mom in the other patients (2/5).
With Sue Grafton’s death, there will be no Z book, so this is the last official Kinsey story. In it, she looks back at a cold case where four rich students filmed the rape of a young girl, someone stole the tape and was murdered, a court case sent two to jail, and the ringleader skipped town. Fast-forward, one of the jailed ones is out of prison, and he receives a copy of the missing tape with a blackmail demand. The parents want Kinsey’s help to ensure they only pay once, or ideally, not at all.
What I Liked
As with previous cold cases, the story bops back and forth between the past and the present. Unlike the previous books, the jumps back don’t seem as jarring, and the “kids” in the past seem realistic. Angst, jealousy, bravado, all of it.
What I Didn’t Like
The story drags a bit in the present getting to the end, and the premise of all the kids in the present still being in contact together is really far-fetched. The explanation of what exactly happened in the past for the murdered girl was great right up until the murder. And the epilogue is extremely unsatisfying.
Two deaths get Kinsey off and running – the apparent mugging death of a low-rent private investigator known for cutting corners and a John Doe homeless guy who died with Kinsey’s business address in his pocket.
What I Liked
Kinsey gets involved with the homeless friends of the dead guy, and Felix, Pearl and Dandy are great to read about. She finds out who he was, locates some personal effects, a safety deposit box and a will…and the will has a plot twist the size of Everest. It is flat-out AWESOME. And Kinsey picks up some cousins.
What I Didn’t Like
The mystery takes a long time to get to the end, when the cause is obvious pretty fast.
The Bottom Line
Great plot twist, too long a story for what’s there.
