A house in the country has some hidden secrets as do some of the people who visit the house throughout 150 years of history.
What I Liked
The overall story is awesome, despite some accessibility challenges with the structure (see below). You get to see pieces of the long story in the 1850s with one character as a young girl and another as a young boy; period two is an outing a number of years later when a bunch of artists descend on the house for a seminal event in their history; later occupation of the house by a woman who runs a girls school there; transformation of the house into a museum much later, to honour one of the artists from the fateful summer; occupation of the house by a young family during WWII; a visit to the house by a man and a woman years later; and finally a visit by an archivist in the present day, trying to find out some of the history from those various periods. She has some of the clues about the various timeframes and is trying to piece together more information about the fateful summer.
What I Didn’t Like
I didn’t like the constant jumping around in time and point of view, which is the structural problem I mentioned above. There are at least seven separate timeframes for the house, and even a couple more in there that are alluded to through reminiscing, but some of the timeframes are not indicated very precisely. You kind of have to figure a couple out as you go. In addition, while the author is a master of lyrical prose, you know some of the story is going to be a bit weird when early on you see an event from the point of view of a satchel that is being opened. Yes, the actual satchel, as if it is alive. It is not the only fantastical element in the book, but the rest would be too much of a spoiler to reveal. A bigger problem I had was that in one timejump, the new PoV is in the head of a woman who has a name VERY similar to that of another character; so much so that I was ten pages into the section before I realized that it wasn’t the woman I thought it was, and the timeframe was VERY different as a result. I often read books that have timeline issues that are way more complex than here, but even I had trouble following some of the hops. I also found part of the ending left things a bit hard to understand with one person acting very out of character and the final piece being a bit open-ended.
The Bottom Line
Great prose, wonderful saga, but difficult structure.
Set in the 1970s, a Russian poet has sought asylum in the U.S. Days before he qualifies for citizenship, he is kidnapped from Grand Central Station. Why was he taken? How can they help him? Where is he?
What I Liked
The story diverges on two tracks — a black-bag CIA operative comes in from the cold just enough to maintain full deniability while he looks for the missing poet. At the same time, an FBI manager keeps poking and prodding trying to find out why. Neither one knows the other exists, and the two stories remain fully compartmentalized.
What I Didn’t Like
The opening is extremely descriptive, almost one step removed from the action, and it takes a while until you fully engage in the two tracks.
This book is an anthology of women’s experiences in Canada during World War II. The anthology is a collection of first-person narratives from 57 women who served in various branches of the armed forces, auxiliaries, and private industry in Canada during World War II. Each of the narratives has a similar chronology and approach – what the women were doing before the war, how they joined the Armed Forces or supporting occupation, their experiences during the war (both personal and professional), their life-in-brief after the war, and, finally, a chance for them to pass some judgement on “what did it all mean” for them or for women in general.
What I Liked
Although I know the editor, and hence added the book to my reading list for that reason, the stories and subject matter are compelling to me in their own right. I can remember reading a USA Today article back in 2001 about the efforts of some U.S. organizations to capture oral histories of their WWI and II survivors, archiving them at the Library of Congress and elsewhere. Volunteer organizations set up sample questionnaires and encouraged young Americans to interview their grandparents about their experiences in the war, recording them and sending them off to be archived. Distributed processing of oral histories is a great technique that works with limited resources, and I remember getting excited about it, wondering what we were doing for Canadian histories? As it turns out, quite a bit.
The Department of Veterans Affairs has a website that captures a lot of this for Canada and has some great materials available to all online. This book captures the often-missed histories of women during that time. The individual stories are compelling and varied in place of origin, type of occupation, impact, and all the elements that comprise the story of each woman, presented in their own words. It is an amazing collective resource for anyone doing research on the era and would serve as both a stand-alone text as well as a supplement to the experiences of others (mostly men) during the Second World War covered elsewhere. And it includes all the things people would expect, which I won’t cover in detail, as well as some surprising elements that transcend the ordinary.
First and foremost, the book does a fine job of avoiding over-stating the impact of WWII on the women’s movement…the tendency in many publications of this sort would be to say “this era is important, these women are important, and therefore this time was the sole catalyst for changing the world forever for women”. However, as many of the stories note, a lot of changes were already underway. This doesn’t discount the impact or added impetus of the time, but also places it in a larger context, where women were no longer only being considered second-class citizens. Many of the women left decent jobs to join the Armed Forces, putting a lie to the often-popular view that the women simply “left the house” for the first time during WWII. Second, the small details from individual stories are particularly riveting, golden nuggets of their experiences:
the lack of common knowledge about the true horrors of the concentration camps until much later after the war – while lots of organizations try to argue or advocate that people in other countries knew but sat and did nothing to prevent the atrocities, they make that argument with the wisdom of hindsight, forgetting that while rumours ran wild, very few people believed the true level of catastrophe when they heard those rumours…only after the reality was truly known and documented could people look back and say “that particular rumour there” was true, and we should have believed it. Without a reference point, lots of people would not – and maybe could not – believe that such atrocities were possible. Even today, it is hard for people to accept genocide as a real event even though it’s happened before (Jacqueline Laplante, p.22, Elizabeth Hunt, p.142) yet there was some official recognition of the problems as many Jewish people were told to change their identifications before fighting overseas (Nano Penefeather-McConnell, p.126-127);
the experience of women’s rifle training and teams (Jacqueline Laplante, p.28);
the role played by French priests in some family decisions in Quebec, with many of the priests trying hard to prevent the women from joining up or calling them home claiming their birth certificates were forged (Mary Saunders, p.28, et al);
the commonplace / matter-of-fact way of dealing with notifications of deaths in the family (Ruth Ralston, p.72);
the drafting of women in England (Elizabeth Hunt, p.134);
the impact on the economy in Quebec in 1939 with many farming families suddenly having boosts in their family income with many sons and daughters working in factories, and for families in general with work plentiful and banks willing to give loans again (Olive Villeneuve, p.166); and,
the two government employees explaining to them in 1941 that there were going to be new deductions from their wages for something called “income tax” and “unemployment insurance” (Olive Villeneuve, p.168).
My favourite story is the impact of reading Lorna Stanger (p.161) talking about VE-Day in Europe. For the first time since the war started, they could have the lights in the city on at night and had it all lit up. For the youngest children, many had only known black-outs and air-raid sirens, and seeing the lights at night actually scared them.
What I Didn’t Like
My biggest complaint is self-inflicted – I did not follow the advice of the Chief Archivist for DND who recommends in the introduction that people should read a few stories at a time. My challenge was simply that I borrowed the book from the library, so with limited time, I plowed through them. And hence probably had a lessened impact than if they were read properly.
As a result, I found myself in some places confusing stories with the previous one, thinking “how did she do that? Wasn’t she in Europe by then?” and then paging back to realize it was a different woman with a similar occupation. In others though, I find myself struggling with the format – the stories appear one after another, seemingly ungrouped in any way. I can’t help wondering if there would be more impact if the stories had been alternatively grouped to convey a stronger message.
For example, they could have been grouped by province – would those who were born in Ontario have a different experience than those in Winnipeg? Ordering by service branch would be an obvious option but might negate some of the commonalities across branches. One could organize by a dozen other possibilities too, such as their posting, occupation, age at induction, future careers, whether they went overseas, etc.
In the end, the challenge might just be the biographical genre. Given the wealth of information, I found myself wanting to see some analysis across the anthology that you could digest and pull out, rather than just the raw text. But that would be a different text then, perhaps one more for academics to produce. And absent the analysis, I wanted to see different ways of sorting – but that too would be a different publication, more of a database than a book.
