The year is 1942, and Jack Delaney is working as a writer for the local radio station where weird things happen, like actors going missing and potential German spies hiding in plain sight.
What I Liked
The story starts off confused, and a hint of someone in trouble. Delaney has to escape a chain gang to help a woman he loves, even if she is already spoken for in his mind. And the trail leads to a radio station in a coastal town where he gets work. At that point, the story is three-fold — a mystery involving German spies, a love story of sorts, and him learning about the radio business as a writer. The radio business part is awesome.
What I Didn’t Like
The German mystery is confused and the love story doubly so. Most of it makes very little sense and is more “hinted at” than “made real”.
Set in the 1970s, a Russian poet has sought asylum in the U.S. Days before he qualifies for citizenship, he is kidnapped from Grand Central Station. Why was he taken? How can they help him? Where is he?
What I Liked
The story diverges on two tracks — a black-bag CIA operative comes in from the cold just enough to maintain full deniability while he looks for the missing poet. At the same time, an FBI manager keeps poking and prodding trying to find out why. Neither one knows the other exists, and the two stories remain fully compartmentalized.
What I Didn’t Like
The opening is extremely descriptive, almost one step removed from the action, and it takes a while until you fully engage in the two tracks.
Peace in the Middle East is almost assured and two Concordes fly to New York with delegates for final negotiations. Terrorists try to derail the peace conference by planting bombs on board and taking the passengers hostage. After one plane is destroyed, killing all on board, the second plane is forced to land near Babylon. At the last minute, the hostages manage to escape to the top of a small hill from which they attempt to defend against the terrorists through several days of sorties, knowing that the military probably doesn’t know where they are and therefore can’t swoop in and rescue them.
What I Liked
Long before there was Clancy, there was DeMille. This book takes the international realm and stands it on its ear — there are (excruciating) details of the relations between the characters on both sides of the peace conference who are forced to work together to fight the terrorists. In addition, the battle tactics are first-rate, the writing is almost perfect, and the story is superb as the “hostages” fight in small groups with every weapon they have — gas bombs from the plane’s fuel tanks, sounds from a war movie blasted over speakers to simulate larger weaponry, etc.
What I Didn’t Like
There are a LOT of characters at the start of this book and it is hard to keep track of them all. Up until the end, there are too many small sub-plots — some are good, and necessary to flesh out the experience, but not all of them. There are fewer characters by the end though and it helps speed up the plotting. However, the ending is a little over-the-top, resembling a scene from a Die Hard movie more than keeping with the slightly more realistic tone of the rest of the book. As well, there is a meeting between the hostage-leaders and the terrorist-leader that is absolutely surreal. The likelihood of both parties treating it like a military battle with truces, etc., is virtually nil but it was at least interesting to read.
Connor Fitzgerald is an assassin for the CIA. Black ops at its best. But when the CIA director orders a hit, and then wants to hide her involvement from the President, she tries to send Fitzgerald on a one-way futile assignment to Russia to prepare an assassination of the Russian Premier. Fitzgerald’s ex-mentor gets involved and figures out the plan, but too late to save CF from getting caught. A couple of twists later, however, and Fitzgerald is back in the States with the same mission — kill the Premier while he sits next to the President.
What I Liked
The storylines were inventive and well done. Not quite at the level of Clancy or De Mille, but well done still. The writing is first-rate and the story moves along at a good clip.
What I Didn’t Like
The relations between the CIA and Fitzgerald, and between the CIA and the Oval Office are not sufficiently fleshed out, leaving the story as having a little too light touch for the genre. Also, a couple of the twists are too well-telegraphed and you see them a mile off. And a small twist at the end, although expected, is handled far too lightly for the likely reality of the situation.
