This is the final in the series of six Star Trek books dealing with an assault with biological weapons on the Federation. This book takes the reader back to the time of Picard as Captain of the Stargazer and adds Tuvok and Jack Crusher to the series. Picard is assigned diplomatic duties for a system on the verge of war. Working together with Tuvok and Crusher, they quickly realize that the war is being primed by someone, but they’re just not sure who. Tuvok and Crusher go undercover and they form the majority of the story.
What I Liked
Tuvok’s and Crusher’s undercover antics are interesting reading, and represent a solid addition to Tuvok’s background.
What I Didn’t Like
Crusher’s character is only superficially developed, as is the character of the man who eventually becomes the assailant for the other five books.
Hannah Trevor is a midwife in 1786 colonial America. She has 3 dead children, a dead husband, and a live daughter whose unacknowledged / unclaimed father is a neighbour. Hannah is present when the authorities discover the raped and mutilated body of another village resident, who has left behind a letter accusing some members of the village elite of the crime, including Hannah’s former lover.
What I Liked
The plotting is well-done, if somewhat slow to get to the discovery of the body. So well-done in fact that this would be easily readable without the murder mystery (i.e., if it was just a historical novel about life in colonial America). And perhaps that is the highest compliment to be paid to this book — that it works well on different levels: a historical novel (the life of the midwife, the role of women), a mystery novel (who raped and killed the woman?), and, to some extent, a love story (the relationship between Hannah and Daniel, her child’s father).
What I Didn’t Like
I figured out the murder mystery far too early, and I spotted other murders long before they actually happened. Fortunately, the great writing carried me to the end anyways.
Sunny Randall is back, and she has a new part-time job as advisor to the love-lorn. Her first customer is Mary Lou Goddard, a prominent feminist (à la Rachel Wallace, from the Spenser series) who thinks she’s being stalked. When Sunny figures out who the stalker is, Goddard wants to drop it all and fires her. It doesn’t stop her from continuing to investigate, even though she has no client. The second customer is her sister — who hires her to catch the sister’s husband in the process of cheating. Which Sunny does, and then spends the rest of the book dealing with the dysfunctional sister. And the third and final customer is her normal confidant and best friend, Julie, who runs into marital problems in this book.
What I Liked
This is a first-rate mystery, with typical Parker twists and turns and links to criminal types. It provides a different spin on the normal Spenser series, while still staying within the same ballpark.
What I Didn’t Like
The storyline with the sister is hard to take because you just want to mentally slap her; which is okay because Sunny wants to slap her too, although I can’t figure out why she doesn’t. The third storyline with Julie is okay, but started to grate near the end.
Barbara Simons, retired airline exec, has purchased a ride-along-with-the-police-for-a-night in an auction, and this is her night — after several hours of boredom, the police respond to a murder scene. By happenstance, it is someone that she knows: a former exec of the same airline has been murdered. Ever inquisitive, Barbara comforts the widow, talks to the deceased’s sister, goes to the wake and then to the funeral.
What I Liked
There are several elements in this book that make the story fly along faster than the previous book in the series (Perilous Friends). There are fewer sub-stories distracting from the main plot, and the streamlining makes for a more coherent story. The writing itself is better as well, and the new characters are fleshed out where appropriate. Most importantly, there is the reintroduction of romantic options for Barbara in terms of the handsome cop Greg, as well as a not-yet-defined relationship with a new male sidekick.
What I Didn’t Like
There isn’t anything big that I didn’t like in this book, just a couple of small things. First, the relationship-cliffhanger from the end of the last book is not a major part of this book, and is instead left sitting there in limbo for a good portion of this book (until pg. 121). One of the reasons I tracked this book down was the ending of the last book — I didn’t like the cliff-hanger aspect, but I had to know what happened (normally, my To-Be-Read pile is so big that I never take the time to search for a specific book). But her out-of-town BF had been coming to visit her in the last book for what she thought was going to be a big weekend with some important announcement or question, and I expected some sort of resolution here. It doesn’t happen. For this book, the ending is a little weaker than the rest of the story, and it all comes together a little too quickly for my tastes, but it is handled rather well except for a small problem of logistics in terms of the bad guy transporting a gun around Montreal (can’t say any more than that without giving away the ending). A little unrealistic, but not enough to affect the rating.
Disclosure
I was not personal friends with the author, but I did interact with her briefly on social media.
Easy Rawlins lives in L.A., 1948. He’s a black war veteran who just lost his job for mouthing off to the boss. Then a man comes along with an easy proposition: find a girl who was hanging out with the blacks at the jazz bars. While Easy needs the money to keep the little house he bought, he wants to know why the guy wants the girl found. Then he finds out others are looking too. Bodies pile up, having been worked over first, and the girl turns out to be connected to politics. While Easy finds the girl, it comes along with a lot of trouble from crooks, politicos, and cops who think he’s good for one of the murders.
What I Liked
The story moves, the characters are interesting, and the descriptions of the settings are well-written enough to give the reader the feel of each place in the story.
What I Didn’t Like
The characters may be interesting but are not well-developed. This story definitely has the feel of the pulp mystery fiction of the 50s and 60s, with lots of action, but no depth to the main characters. I never particularly cared about Easy, although I like the parameters of the character.
